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        <title>tall-in-the-land-of-stories</title>
        <description>tall-in-the-land-of-stories</description>
        <link>http://www.tallstoriesbookshop.com/tall-in-the-land-of-stories.php</link>
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            <title>An evening with author Alexandra Fuller</title>
            <link>http://www.tallstoriesbookshop.com/tall-in-the-land-of-stories/an-evening-with-author-alexandra-fuller</link>
            <description>&lt;center&gt;&lt;div id=&quot;wrap&quot; style=&quot;text-align: center; background-color: #990000;&quot;&gt;&lt;table id=&quot;layout&quot; style=&quot;margin: 10px auto 30px; text-align: left;&quot; border=&quot;0&quot; cellpadding=&quot;20&quot; cellspacing=&quot;0&quot; width=&quot;600&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td id=&quot;topbar&quot; style=&quot;margin: 0px; padding: 10px 0px 20px; text-align: center; color: #eeeeee; font-family: Verdana; font-size: 10px;&quot; align=&quot;center&quot; valign=&quot;middle&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td id=&quot;header&quot; style=&quot;text-align: left; color: #282913; font-family: Georgia; font-size: 16px; font-weight: normal; border-top-color: currentColor; border-bottom-color: currentColor; border-top-width: 0px; border-bottom-width: 0px; border-top-style: none; border-bottom-style: none; background-color: #efefef;&quot;&gt;&lt;div class=&quot;content&quot; style=&quot;color: #444444; line-height: 1.4em; font-size: 13px;&quot; valign=&quot;top&quot; align=&quot;left&quot;&gt;&lt;div&gt;&lt;h1 class=&quot;main-heading&quot; style=&quot;margin: 0pt; padding: 0pt; text-align: center; color: #71858f; text-transform: none; letter-spacing: -2px; font-family: Baskerville,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 110px; font-style: italic; font-weight: normal;&quot;&gt;&lt;img class=&quot;yui-img&quot; style=&quot;border-width: 0pt; border-style: solid;&quot; alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/ice_cream_man_shop_picture_60.2.jpg&quot; border=&quot;0&quot; height=&quot;271&quot; width=&quot;362&quot;&gt;&lt;/h1&gt;&lt;br&gt;&lt;br&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;color: #660000;&quot;&gt;&lt;span style=&quot;font-size: 64px;&quot;&gt;&lt;span style=&quot;font-family: lucida sans unicode,lucida grande,sans-serif;&quot;&gt;Tall&amp;nbsp; Stories&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br&gt;&lt;br&gt;		&amp;nbsp;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;color: #660000;&quot;&gt;____________________________________________&lt;/span&gt;&lt;/div&gt;&lt;h4 class=&quot;sub-heading&quot; style=&quot;margin: 0pt; padding: 0pt; text-align: center; color: #8cc8ad; text-transform: uppercase; letter-spacing: 1px; font-family: Baskerville,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 14px; font-style: normal; font-weight: bold;&quot;&gt;&lt;span style=&quot;color: #660000;&quot;&gt;• Fine&amp;nbsp; Books&amp;nbsp; for&amp;nbsp; Discerning&amp;nbsp; Readers •&lt;/span&gt;&lt;/h4&gt;&lt;br&gt;Dear &lt;span style=&quot;font-size: 18px;&quot;&gt;&lt;b&gt;Book People&lt;/b&gt;&lt;/span&gt;,&lt;br&gt;&lt;br&gt;&lt;a class=&quot;&quot; style=&quot;color: #800000; font-weight: normal; text-decoration: underline;&quot; href=&quot;http://www.tallstoriesbookshop.com/&quot;&gt;Tall&amp;nbsp; Stories&lt;/a&gt; and the &lt;a class=&quot;&quot; style=&quot;color: #800000; font-weight: normal; text-decoration: underline;&quot; href=&quot;http://www.corinavanderspoel.com/&quot;&gt;Book Concierge&lt;/a&gt; are pleased to invite you to a conversation with memoirist and writer, &lt;a class=&quot;&quot; style=&quot;color: #800000; font-weight: normal; text-decoration: underline;&quot; href=&quot;http://www.alexandrafuller.org/node/1&quot;&gt;Alexandra Fuller&lt;/a&gt; on the 8th of&amp;nbsp; May in Braamfontein, Johannesburg. Fuller is in Johannesburg only briefly, visiting the country on her way to the &lt;a class=&quot;&quot; style=&quot;color: #800000; font-weight: normal; text-decoration: underline;&quot; href=&quot;http://www.flf.co.za/&quot;&gt;Franschhoek Literary Festival&lt;/a&gt;. Jackie May, features editor of The Times, will be speaking to her. Don’t miss the opportunity to hear this wonderfully entertaining writer speak about her latest book, &lt;a class=&quot;&quot; style=&quot;color: #800000; font-weight: normal; text-decoration: underline;&quot; href=&quot;http://alexandrafuller.org/node/3&quot;&gt;Cocktail Hour Under The Tree Of Forgetfulness&lt;/a&gt;.&lt;br&gt;&lt;br&gt;&lt;p style=&quot;margin: 0px; padding: 0px; text-align: center;&quot;&gt;&lt;span style=&quot;color: #800000;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: 18px;&quot;&gt;Cocktail Hour&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br&gt;		with Alexandra Fuller&lt;br&gt;		author of&lt;br&gt;&lt;i&gt;Don't Let's go to the Dogs Tonight&lt;/i&gt;&lt;br&gt;&lt;br&gt;		Tuesday 8 May&lt;br&gt;		18h00 - 19h30&lt;br&gt;&lt;br&gt;		Venue: &lt;a class=&quot;&quot; style=&quot;color: #800000; font-weight: normal; text-decoration: underline;&quot; href=&quot;http://www.ifas.org.za/&quot;&gt;The French Institute of South Africa&lt;/a&gt;&lt;br&gt;		2nd floor, 62 Juta Street, Braamfontein&lt;br&gt;		(safe parking in Juta Street)&lt;br&gt;		Corner of Juta and Bertha Streets,&lt;br&gt;		upstairs from Stevenson Gallery&lt;br&gt;&lt;br&gt;		The features editor of The Times, Jackie May, will be in conversation with Fuller&lt;br&gt;&lt;br&gt;		RSVP by Monday 7 May on &lt;a class=&quot;&quot; style=&quot;color: #800000; font-weight: normal; text-decoration: underline;&quot; href=&quot;mailto:books@corinavanderspoel.com?subject=Alexander%20%20Fuller&quot;&gt;&lt;span style=&quot;color: #800000;&quot;&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;b&gt;books@corinavanderspoel.com&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br&gt;&lt;br&gt;		Alexandra Fuller’s books will be on sale at the event from &lt;a class=&quot;&quot; style=&quot;color: #800000; font-weight: normal; text-decoration: underline;&quot; href=&quot;http://www.tallstoriesbookshop.com/&quot;&gt;Tall Stories Bookshop&lt;/a&gt;&lt;br&gt;		&amp;nbsp;&lt;/p&gt;&lt;h3 class=&quot;sidebarTitle&quot; style=&quot;margin: 0px; padding: 0px; text-align: center; color: #71858f; text-transform: none; font-family: Garamond,&amp;quot;Hoefler Text&amp;quot;,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 40px; font-style: italic; font-weight: normal;&quot;&gt;		&amp;amp;&lt;/h3&gt;&lt;br&gt;&lt;p style=&quot;margin: 0px; padding: 0px; text-align: center;&quot;&gt;&lt;span style=&quot;font-size: 18px;&quot;&gt;&lt;b&gt;&lt;img class=&quot;yui-img&quot; style=&quot;width: 446px; height: 336px;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/MK_AF1.JPG&quot; align=&quot;none&quot;&gt;&lt;br&gt;&lt;span style=&quot;font-size: 12px;&quot;&gt;Myself&amp;nbsp; with&amp;nbsp; Alexander&amp;nbsp; Fuller&amp;nbsp; at&amp;nbsp; at&amp;nbsp; a&amp;nbsp; breakfast&amp;nbsp; launch&amp;nbsp; for&amp;nbsp; the&amp;nbsp; book&amp;nbsp; which&amp;nbsp; was&amp;nbsp; hosted&amp;nbsp; by&amp;nbsp; &lt;a class=&quot;&quot; style=&quot;color: #800000; font-weight: normal; text-decoration: underline;&quot; href=&quot;http://www.702.co.za/shows/jenny.asp&quot;&gt;Jenny&amp;nbsp; Crwys-Williams&lt;/a&gt;. AF&amp;nbsp; indulged&amp;nbsp; me. &lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br&gt;		&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;margin: 0px; padding: 0px; text-align: center;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: 18px;&quot;&gt;&lt;span style=&quot;color: #800000;&quot;&gt;Alexandra Fuller&lt;/span&gt;&lt;/span&gt;&lt;/b&gt; was born in England in 1969 and in 1972 she moved with her family to a farm in Rhodesia. After the civil war there in 1981, the Fullers moved first to Malawi, then to Zambia. She married an American river guide in Zambia in 1993 and now lives in Wyoming with their three children.&lt;br&gt;&lt;br&gt;		She has written four books of non-fiction. Her debut book, &lt;i&gt;Don’t Let’s Go to the Dogs Tonight&lt;/i&gt; was a New York Times Notable Book for 2002, the 2002 &lt;a class=&quot;&quot; style=&quot;color: #800000; font-weight: normal; text-decoration: underline;&quot; href=&quot;http://en.wikipedia.org/wiki/Book_Sense&quot;&gt;Book Sens&lt;/a&gt;e best non-fiction book, a finalist for the &lt;a class=&quot;&quot; style=&quot;color: #800000; font-weight: normal; text-decoration: underline;&quot; href=&quot;http://en.wikipedia.org/wiki/Guardian_First_Book_Award&quot;&gt;Guardian’s First Book Award&lt;/a&gt; and the winner of the 2002 &lt;a class=&quot;&quot; style=&quot;color: #800000; font-weight: normal; text-decoration: underline;&quot; href=&quot;http://en.wikipedia.org/wiki/Winifred_Holtby_Memorial_Prize&quot;&gt;Winifred Holtby Memorial Prize&lt;/a&gt;. Her 2004 &lt;i&gt;Scribbling the Cat &lt;/i&gt;won the &lt;a class=&quot;&quot; style=&quot;color: #800000; font-weight: normal; text-decoration: underline;&quot; href=&quot;http://en.wikipedia.org/wiki/Lettre_Ulysses_Award&quot;&gt;Ulysses Prize for Art of Reportage&lt;/a&gt;. &lt;i&gt;The Legend of Colton H Bryant&lt;/i&gt; was published in 2008 and was a Toronto Globe and Mail, Best Non-Fiction Book of 2008&lt;/p&gt;&lt;p style=&quot;margin: 0px; padding: 0px; text-align: center;&quot;&gt;&lt;img class=&quot;yui-img&quot; style=&quot;width: 240px; height: 240px;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/identity_fuller_pic.jpg&quot; align=&quot;none&quot; height=&quot;240&quot; width=&quot;240&quot;&gt;&lt;br&gt;		&amp;nbsp;&lt;/p&gt;&lt;h3 class=&quot;sidebarTitle&quot; style=&quot;margin: 0px; padding: 0px; text-align: center; color: #71858f; text-transform: none; font-family: Garamond,&amp;quot;Hoefler Text&amp;quot;,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 40px; font-style: italic; font-weight: normal;&quot;&gt;		&amp;amp;&lt;/h3&gt;&lt;br&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;img class=&quot;yui-img&quot; style=&quot;width: 205px; height: 304px;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/Cocktail_Hour_Under_the_Tree_of_Forgetful_Large_.jpg&quot; align=&quot;none&quot;&gt;&lt;/div&gt;&lt;p style=&quot;margin: 0px; padding: 0px; text-align: center;&quot;&gt;		&amp;nbsp;&lt;/p&gt;&lt;p style=&quot;margin: 0px; padding: 0px; text-align: left;&quot;&gt;&lt;span style=&quot;color: #800000;&quot;&gt;&lt;span style=&quot;font-size: 18px;&quot;&gt;&lt;b&gt;&lt;i&gt;Cocktail Hour Under the Tree of Forgetfulness&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt; tells the story of the author's mother, Nicola Fuller. Nicola Fuller and her husband were a glamorous and optimistic couple and East Africa lay before them with the promise of all its perfect light, even as the British Empire in which they both believed waned. They had everything, including two golden children - a girl and a boy. However, life became increasingly difficult and they moved to Rhodesia to work as farm managers. The previous farm manager had committed suicide. His ghost appeared at the foot of their bed and seemed to be trying to warn them of something. Shortly after this, one of their golden children died. Africa was no longer the playground of Nicola's childhood. They returned to England where the author was born before they returned to Rhodesia and to the civil war. The last part of the book sees the Fullers in their old age on a banana and fish farm in the Zambezi Valley. They had built their ramshackle dining room under the Tree of Forgetfulness. In local custom, this tree is the meeting place for villagers determined to resolve disputes. It is in the spirit of this Forgetfulness that Nicola finally forgot - but did not forgive - all her enemies including her daughter and the Apostle, a squatter who has taken up in her bananas with his seven wives and forty-nine children. Funny, tragic, terrifying, exotic and utterly unself-conscious, this is a story of survival and madness, love and war, passion and compassion.&lt;/p&gt;&lt;p style=&quot;margin: 0px; padding: 0px; text-align: center;&quot;&gt;&lt;img class=&quot;yui-img&quot; style=&quot;width: 354px; height: 211px;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/Cocktailhour_AF.jpg&quot; align=&quot;none&quot;&gt;&lt;br&gt;		&amp;nbsp;&lt;/p&gt;&lt;h3 class=&quot;sidebarTitle&quot; style=&quot;margin: 0px; padding: 0px; text-align: center; color: #71858f; text-transform: none; font-family: Garamond,&amp;quot;Hoefler Text&amp;quot;,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 40px; font-style: italic; font-weight: normal;&quot;&gt;		&amp;amp;&lt;/h3&gt;&lt;br&gt;	An &lt;span style=&quot;color: #800000;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: 18px;&quot;&gt;Extrac&lt;/span&gt;&lt;span style=&quot;font-size: 18px;&quot;&gt;t&lt;/span&gt;&lt;/b&gt;&lt;/span&gt; from &lt;i&gt;Cocktail Hour Under the Tree of Forgetfulness&lt;/i&gt; :	&lt;p style=&quot;margin: 0px; padding: 0px; text-align: left;&quot;&gt;		Our Mum—or Nicola Fuller of Central Africa, as she has on occasion preferred to introduce herself—has wanted a writer in the family as long as either of us can remember, not only because she loves books and has therefore always wanted to appear in them (the way she likes large, expensive hats, andlikes to appear inthem) but also because she has always wantedto live a fabulously romantic life for which she needed a reasonablypliable witness as scribe.&lt;br&gt;&lt;br&gt;		&quot;At least she didn't read you Shakespeare in the womb,&quot; my sister says. &quot;I think that's what gave me brain damage.&quot;&lt;br&gt;		&quot;You do not have brain damage,&quot; I say.&lt;br&gt;		&quot;That's what Mum says.&quot;&lt;br&gt;		&quot;Well, I wouldn't listen to her. You know what she's like,&quot; I say.&lt;br&gt;		&quot;I know,&quot; Vanessa says.&lt;br&gt;		&quot;For example,&quot; I say, &quot;lately, she's been telling me that I must have been switched at birth.&quot;&lt;br&gt;		&quot;Really?&quot; Vanessa tilts her head this way and that to get a better view of my features. &quot;Let me have a look at your nose from the other side.&quot;&lt;br&gt;		&quot;Stop it,&quot; I cover my nose.&lt;br&gt;		&quot;Well, you brought it on yourself,&quot; Vanessa says, lighting a cigarette. &quot;You should never have written that Awful Book about her.&quot;&lt;br&gt;		I count the ways that Vanessa is wrong, &quot;For the millionth time, it's not awful and it wasn't about her.&quot;&lt;br&gt;		Vanessa blows smoke at the sky placidly, &quot;That's not what Mum says. Anyway, I wouldn't know. I haven't read it. I won't. I can't. I'm brain damaged. Ask Mum.&quot;&lt;br&gt;		We're sitting outside Vanessa's rock house near the town of Kafue. Wisely, Vanessa has grown up to be an inscrutable artist—fabric, graphics and exuberant, tropical canvases all expressed with a kind of noncommittal chaos—so no one can really pin anything on her. And anyway, no matter what happens, Vanessa always behaves as if everything will resolve itself in time as long as no one panics. Her bathroom, for example, has a tree growing through the middle of its thatched roof—very romantic and picturesque but a pitiful defense against rainand reptiles. Vanessa says vaguely, &quot;Oh, just keep your shoes onand have a good look before you sit anywhere and you shouldbe all right.&quot;&lt;br&gt;&lt;br&gt;		The rest of the house, attached to the wildly impractical bathroom, has a total of three tiny rooms for Vanessa, her husband and their several children, but it is built on the summit of a kopje, so it has a sense of possibility, like a closet with cathedral ceilings. We sit outside where the air smells of miombo woodland and we smoke cigarettes and look at the comforting lights from the scores of cooking fires smoldering from the kitchens in the surrounding village. Occasionally we hear a dog barking from the taverns on the Kafue Road and soldiers in the nearby army camp shouting to one another or letting off the odd stray bullet. It's all very peaceful.&lt;br&gt;&lt;br&gt;		&quot;Have another glass of wine,&quot; Vanessa suggests by way of comforting me. &quot;You never know, Mum might forgive you eventually.&quot;&lt;br&gt;		In my defense, the Awful Book, whose full and proper title can never be mentioned in the company of my family, was not all my fault. I had felt more than a little encouraged to write it—directed, even—by Nicola Fuller of Central Africa herself. Having given up on my older sister as a potential writer on account of Vanessa's stubborn refusal to learn how to read or write, Mum settled her literary ambitions on me. I was five when she abandoned the arithmetic section of our weekly Rhodesia Correspondence School packet. &quot;Look Bobo,&quot; she reasoned, &quot;numbers are boring. Anyway, you can always pay someone to count for you, but you can never pay anyone to write for you. Now,&quot; Mum paused and gave me one of her terrifying smiles. &quot;What do you think you're going to write about?&quot; Then she took a long sip of tea, brushed a couple of dogs off her lap and began to live a life Worthy of Fabulous Literature.&lt;br&gt;		&amp;nbsp;&lt;/p&gt;&lt;h3 class=&quot;sidebarTitle&quot; style=&quot;margin: 0px; padding: 0px; text-align: center; color: #71858f; text-transform: none; font-family: Garamond,&amp;quot;Hoefler Text&amp;quot;,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 40px; font-style: italic; font-weight: normal;&quot;&gt;		&amp;amp;&lt;/h3&gt;&lt;span style=&quot;color: #800000;&quot;&gt;&lt;b&gt;&lt;span style=&quot;font-size: 18px;&quot;&gt;Reviews&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&amp;nbsp; for&amp;nbsp; the&amp;nbsp; book :	&lt;p style=&quot;margin: 0px; padding: 0px; text-align: left;&quot;&gt;		&quot;shimmering, musical prose&quot;, &quot;electrifying&quot; . &quot;Ms. Fuller would move to America with her husband in 1994, her own love for Africa reverberates throughout these pages, making the beauty and hazards of that land searingly real for the reader&quot;. -The&amp;nbsp; New&amp;nbsp; York&amp;nbsp; Times : Books of The Times&lt;br&gt;&lt;a class=&quot;&quot; style=&quot;color: #800000; font-weight: normal; text-decoration: underline;&quot; href=&quot;http://www.nytimes.com/2011/08/23/books/cocktail-hour-under-the-tree-of-forgetfulness-review.html?_r=1&amp;amp;pagewanted=all&quot;&gt;A Mother’s Long Love Affair With Colonialism&lt;br&gt;		By MICHIKO KAKUTANI&lt;/a&gt;&lt;br&gt;&lt;br&gt;		&quot;Frances Wilson is delighted by an African tragicomic memoir, Cocktail Hour Under the Tree of Forgetfulness by Alexandra Fuller&quot;. &lt;a class=&quot;&quot; style=&quot;color: #800000; font-weight: normal; text-decoration: underline;&quot; href=&quot;http://www.telegraph.co.uk/culture/books/bookreviews/8749974/Cocktail-Hour-Under-the-Tree-of-Forgetfulness-by-Alexandra-Fuller-review.html&quot;&gt;The&amp;nbsp; Telegraph&lt;/a&gt;&lt;br&gt;		&amp;nbsp;&lt;/p&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;h3 class=&quot;sidebarTitle&quot; style=&quot;margin: 0px; padding: 0px; color: #71858f; text-transform: none; font-family: Garamond,&amp;quot;Hoefler Text&amp;quot;,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 40px; font-style: italic; font-weight: normal;&quot;&gt;			&amp;amp;&lt;/h3&gt;&lt;br&gt;&lt;a class=&quot;&quot; style=&quot;color: #800000; font-weight: normal; text-decoration: underline;&quot; href=&quot;http://www.guardian.co.uk/books/2011/oct/26/alexandra-fuller-top-10-african-memoirs&quot;&gt;&lt;span style=&quot;font-size: 18px;&quot;&gt;&lt;b&gt;Alexandra Fuller's top 10 African memoirs&lt;/b&gt;:&lt;/span&gt;&lt;/a&gt;&lt;p style=&quot;margin: 0px; padding: 0px; text-align: left;&quot;&gt;&lt;br&gt;			Among Fuller's favourite 'performances of courage and honesty' that have come out of the continent she counts, &lt;a class=&quot;&quot; style=&quot;color: #800000; font-weight: normal; text-decoration: underline;&quot; href=&quot;http://www.constitutionalcourt.org.za/site/judges/justicealbiesachs/index1.html&quot;&gt;Albie Sach&lt;/a&gt;’s&lt;i&gt; The Soft Vengeance of a Freedom Fighter&lt;/i&gt;, &lt;a class=&quot;&quot; style=&quot;color: #800000; font-weight: normal; text-decoration: underline;&quot; href=&quot;http://www.nobelprize.org/nobel_prizes/literature/laureates/2003/coetzee-bio.html&quot;&gt;J.M. Coetzee&lt;/a&gt;’s&lt;i&gt; Boyhood&lt;/i&gt; and &lt;a class=&quot;&quot; style=&quot;color: #800000; font-weight: normal; text-decoration: underline;&quot; href=&quot;http://www.nelsonmandela.org/&quot;&gt;Nelson Mandela&lt;/a&gt;’s &lt;i&gt;Conversations with Myself...........................&lt;/i&gt;&lt;a class=&quot;&quot; style=&quot;color: #800000; font-weight: normal; text-decoration: underline;&quot; href=&quot;http://www.guardian.co.uk/books/2011/oct/26/alexandra-fuller-top-10-african-memoirs&quot;&gt;read&amp;nbsp; more&amp;nbsp; in&amp;nbsp; The&amp;nbsp; Guardian&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;h3 class=&quot;sidebarTitle&quot; style=&quot;margin: 0px; padding: 0px; text-align: center; color: #71858f; text-transform: none; font-family: Garamond,&amp;quot;Hoefler Text&amp;quot;,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 40px; font-style: italic; font-weight: normal;&quot;&gt;				&amp;amp;&lt;/h3&gt;&lt;br&gt;			If you are at all interested and you use &lt;span style=&quot;font-size: 18px;&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: #40e0d0;&quot;&gt;Twitter&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;, you can visit us &lt;a class=&quot;&quot; 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            <pubDate>Mon, 07 May 2012 08:39:26 +0100</pubDate>
        </item>
        <item>
            <title>September  Newsletter</title>
            <link>http://www.tallstoriesbookshop.com/tall-in-the-land-of-stories/september-newsletter</link>
            <description>&lt;table id=&quot;layout&quot; border=&quot;0&quot; cellpadding=&quot;20&quot; cellspacing=&quot;0&quot; width=&quot;600&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td id=&quot;header&quot; style=&quot;background-color: #EFEFEF;border-top: 0px none;border-bottom: 0px none;color: #282913;font-size: 16px;font-family: Georgia;font-weight: normal;text-align: left;&quot;&gt;&lt;div class=&quot;content&quot; valign=&quot;top&quot; style=&quot;font-size: 13px;line-height: 1.4em;color: #444;&quot; align=&quot;left&quot;&gt;&lt;div&gt;
	&lt;h1 class=&quot;main-heading&quot; style=&quot;color: rgb(113, 133, 143); font-family: Baskerville,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 110px; font-style: italic; font-weight: normal; letter-spacing: -2px; margin: 0pt; padding: 0pt; text-transform: none; text-align: center;&quot;&gt;
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	&lt;br&gt;
	&lt;br&gt;
	&lt;div style=&quot;text-align: center;&quot;&gt;
		&lt;span style=&quot;color: rgb(102, 0, 0);&quot;&gt;&lt;span style=&quot;font-size: 64px;&quot;&gt;&lt;span style=&quot;font-family: lucida sans unicode,lucida grande,sans-serif;&quot;&gt;Tall&amp;nbsp; Stories&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br&gt;
		&lt;br&gt;
		&amp;nbsp;&lt;/div&gt;
	&lt;div style=&quot;text-align: center;&quot;&gt;
		&lt;span style=&quot;color: rgb(102, 0, 0);&quot;&gt;____________________________________________&lt;/span&gt;&lt;/div&gt;
	&lt;h4 class=&quot;sub-heading&quot; style=&quot;color: rgb(140, 200, 173); font-family: Baskerville,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 14px; font-style: normal; font-weight: bold; letter-spacing: 1px; margin: 0pt; padding: 0pt; text-transform: uppercase; text-align: center;&quot;&gt;
		&lt;span style=&quot;color: rgb(102, 0, 0);&quot;&gt;• Fine&amp;nbsp; Books&amp;nbsp; for&amp;nbsp; Discerning&amp;nbsp; Readers •&lt;/span&gt;&lt;/h4&gt;
	&lt;br&gt;
	&lt;p style=&quot;margin-bottom: 0cm;margin: 0;padding: 0;&quot;&gt;
		Hello All,&lt;/p&gt;
	&lt;br&gt;
	At the end of August, the book world around Edinburgh was delighted and
 perplexed by these mysterious book sculpture gifts. These&amp;nbsp; books&amp;nbsp; 
sculptures&amp;nbsp; below&amp;nbsp; have&amp;nbsp; captured&amp;nbsp; the&amp;nbsp; imagination&amp;nbsp; of&amp;nbsp; the&amp;nbsp; litrary&amp;nbsp; 
world&amp;nbsp; and&amp;nbsp; the&amp;nbsp; artist&amp;nbsp; is&amp;nbsp; as&amp;nbsp; yet&amp;nbsp; still&amp;nbsp; unknow. The&amp;nbsp; sculpture&amp;nbsp; 
&quot;gifts&quot;&amp;nbsp; are always addressed directly to someone and some of them have 
been made using books written by Ian Rankin. They are always left as 
“gifts” at literary events such as The Edinburgh Literary Festival. So 
far the only things known about the paper artist are : “........it is 
somebody who's an Ian Rankin fan and a poetry fan and a book and film 
fan and a Twitter user who reads Edwin Morgan with an eye for tiny 
detail and subtlety,&quot; said &lt;a class=&quot;&quot; href=&quot;http://www.guardian.co.uk/books/2011/jun/30/real-life-ian-rankin-mystery-sculptures&quot; style=&quot;color: #800000;text-decoration: underline;font-weight: normal;&quot;&gt;&lt;font color=&quot;#000080&quot;&gt;&lt;span lang=&quot;zxx&quot;&gt;&lt;u&gt;Lilias Fraser&lt;/u&gt;&lt;/span&gt;&lt;/font&gt;&lt;/a&gt;, reader development officer at the Scottish Poetry Library.
	&lt;p style=&quot;margin-bottom: 0cm;text-align: center;margin: 0;padding: 0;&quot;&gt;
		&lt;img class=&quot;yui-img&quot; alt=&quot;Mysterious book sculpture&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/poetree.jpg&quot; style=&quot;width: 254px; height: 216px;&quot; border=&quot;0&quot;&gt;&lt;br&gt;
		&lt;br&gt;
		&amp;nbsp;&lt;/p&gt;
	&lt;p style=&quot;margin-bottom: 0cm;text-align: center;margin: 0;padding: 0;&quot;&gt;
		&lt;img class=&quot;yui-img&quot; alt=&quot;mysterious paper sculpture&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/Exit_Music.jpg&quot; style=&quot;width: 185px; height: 265px;&quot; border=&quot;0&quot;&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/p&gt;
	&lt;p style=&quot;margin-bottom: 0cm;text-align: center;margin: 0;padding: 0;&quot;&gt;
		&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp; &lt;img class=&quot;yui-img&quot; alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/papersculptures.jpg&quot; border=&quot;0&quot; height=&quot;333&quot; width=&quot;500&quot;&gt;&lt;/p&gt;
	&lt;p style=&quot;margin-bottom: 0cm;margin: 0;padding: 0;&quot;&gt;
		To read more about these sculptures, have&amp;nbsp; a&amp;nbsp; look at&amp;nbsp; this&amp;nbsp; article&amp;nbsp; 
on&amp;nbsp; the&amp;nbsp; mysterious&amp;nbsp; book&amp;nbsp; sculptures : 
http://community.thisiscentralstation.com/_Mysterious-paper-sculptures/blog/4991767/126249.html&lt;br&gt;
		&amp;nbsp;&lt;/p&gt;
	&lt;img class=&quot;yui-img&quot; alt=&quot;&quot; src=&quot;http://www.tallstoriesbookshop.com/http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/congo.php&quot; border=&quot;0&quot; height=&quot;110&quot; width=&quot;82&quot;&gt; In&amp;nbsp; auction&amp;nbsp; news&amp;nbsp; this&amp;nbsp; month, a&amp;nbsp; copy&amp;nbsp; of&amp;nbsp;&lt;a class=&quot;&quot; href=&quot;http://www.irmasternmuseum.com/&quot; style=&quot;color: #800000;text-decoration: underline;font-weight: normal;&quot;&gt; Irma&amp;nbsp; Stern's&lt;/a&gt;&amp;nbsp; Congo&amp;nbsp;&amp;nbsp; fetched&amp;nbsp; a&amp;nbsp; staggering&amp;nbsp; price&amp;nbsp; of&amp;nbsp; &lt;strong&gt;R 155 000.00&lt;/strong&gt;&amp;nbsp; on&amp;nbsp; the&amp;nbsp; September&amp;nbsp; auction&amp;nbsp; from&amp;nbsp; &lt;a class=&quot;&quot; href=&quot;http://www.antiquarianauctions.co.za/&quot; style=&quot;color: #800000;text-decoration: underline;font-weight: normal;&quot;&gt;AntiquarianAuctions.co.za&lt;/a&gt;
 It&amp;nbsp; was&amp;nbsp; a&amp;nbsp; signed&amp;nbsp; presentation copy&amp;nbsp; from&amp;nbsp; an&amp;nbsp; edition&amp;nbsp; limited&amp;nbsp; to&amp;nbsp; 
300&amp;nbsp; copies&amp;nbsp; only. There&amp;nbsp; was&amp;nbsp; an &amp;nbsp; inscription from the artist on the 
front free endpaper in blue crayon – 'To André with all my love, Irma, 
Jonb, 1944.'&amp;nbsp; It&amp;nbsp; was&amp;nbsp; clearly&amp;nbsp; a&amp;nbsp; good&amp;nbsp; month&amp;nbsp; for&amp;nbsp; Irma&amp;nbsp; Stern&amp;nbsp; as&amp;nbsp; a&amp;nbsp;
 painting&amp;nbsp; by&amp;nbsp; her&amp;nbsp; fetched&amp;nbsp; the&amp;nbsp; higest&amp;nbsp; price&amp;nbsp; paid&amp;nbsp; for&amp;nbsp; a&amp;nbsp; South&amp;nbsp; 
African&amp;nbsp; artisit&amp;nbsp; in&amp;nbsp; South&amp;nbsp; Africa&amp;nbsp; on&amp;nbsp; the&amp;nbsp; September&amp;nbsp; Strauss&amp;nbsp; &amp;amp;&amp;nbsp;
 Co. Auction. The&amp;nbsp; Painting&amp;nbsp; of&amp;nbsp; Two&amp;nbsp; Arabs,&amp;nbsp; set a new record for a 
work of art in South Africa when it sold in Cape Town for &lt;strong&gt;R21 166 000.00&lt;/strong&gt;&lt;br&gt;
	&lt;img class=&quot;yui-img&quot; alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/sothebys2.jpg&quot; style=&quot;width: 135px; height: 202px;&quot; border=&quot;0&quot;&gt;While&amp;nbsp;
 we&amp;nbsp; are&amp;nbsp; talking&amp;nbsp; high&amp;nbsp; ticket&amp;nbsp; items, a&amp;nbsp; dust-jacket&amp;nbsp; (pictured&amp;nbsp; 
left)&amp;nbsp; is&amp;nbsp; expected&amp;nbsp; to&amp;nbsp; come&amp;nbsp; to&amp;nbsp; auction&amp;nbsp; on&amp;nbsp; the&amp;nbsp; 20th&amp;nbsp; of&amp;nbsp; October&amp;nbsp; 
2011&amp;nbsp; at&amp;nbsp; Sotheby's&amp;nbsp; in&amp;nbsp; New&amp;nbsp; York.&amp;nbsp; It is&amp;nbsp; estimated&amp;nbsp; that&amp;nbsp; it&amp;nbsp; will&amp;nbsp; 
fetch&amp;nbsp; &lt;b&gt;&lt;span style=&quot;font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;&quot;&gt;$150,000-$180,000.&lt;/span&gt;&lt;/b&gt;
 It&amp;nbsp; is&amp;nbsp; the&amp;nbsp; first&amp;nbsp; state&amp;nbsp; dust-jacket&amp;nbsp; for&amp;nbsp; first&amp;nbsp; edition&amp;nbsp; of&amp;nbsp; the&amp;nbsp; 
The&amp;nbsp; Great&amp;nbsp; Gatsby. Apparently&amp;nbsp; there&amp;nbsp; was&amp;nbsp; a&amp;nbsp; small&amp;nbsp; printing&amp;nbsp; error&amp;nbsp; 
in&amp;nbsp; the&amp;nbsp; blurb&amp;nbsp; of&amp;nbsp; the&amp;nbsp; rear&amp;nbsp; panel&amp;nbsp; of&amp;nbsp; the&amp;nbsp; dust-jacket, where&amp;nbsp; the&amp;nbsp; 
&quot;j&quot;&amp;nbsp; of&amp;nbsp; Jay&amp;nbsp; Gatsby&amp;nbsp; appears&amp;nbsp; in&amp;nbsp; lower&amp;nbsp; case.&amp;nbsp; All&amp;nbsp; known&amp;nbsp; copies&amp;nbsp; of&amp;nbsp;
 this&amp;nbsp; dust-jacket&amp;nbsp; have&amp;nbsp; the&amp;nbsp; &quot;j&quot;&amp;nbsp; changed&amp;nbsp; via&amp;nbsp; hand&amp;nbsp; in&amp;nbsp; black&amp;nbsp; ink. 
This&amp;nbsp; is&amp;nbsp; such&amp;nbsp; a&amp;nbsp; copy. A&amp;nbsp; similar&amp;nbsp; copy&amp;nbsp; fetched&amp;nbsp;&amp;nbsp; $182,000.00&amp;nbsp; on&amp;nbsp; 
auction&amp;nbsp; in&amp;nbsp; June&amp;nbsp; 2009.&lt;br&gt;
	&amp;nbsp;We&amp;nbsp; will&amp;nbsp; keep&amp;nbsp; you&amp;nbsp; posted........&lt;br&gt;
	&lt;br&gt;
	We&amp;nbsp; asked&amp;nbsp; Agatha-Panter, the&amp;nbsp; book&amp;nbsp; shop&amp;nbsp; cat&amp;nbsp; if&amp;nbsp; she&amp;nbsp; wished&amp;nbsp; to&amp;nbsp; 
make&amp;nbsp; a&amp;nbsp; contribution&amp;nbsp; to&amp;nbsp; the&amp;nbsp; newsletter. however, she&amp;nbsp; claimed&amp;nbsp; she&amp;nbsp; 
was&amp;nbsp; already&amp;nbsp; over-worked&amp;nbsp; and&amp;nbsp; promptly&amp;nbsp; collapsed :
	&lt;div style=&quot;text-align: center;&quot;&gt;
		&lt;img class=&quot;yui-img&quot; alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/tired_agatha.jpg&quot; border=&quot;0&quot; height=&quot;154&quot; width=&quot;205&quot;&gt;&lt;/div&gt;
	&lt;p style=&quot;margin-bottom: 0cm;margin: 0;padding: 0;&quot;&gt;
		&amp;nbsp;&lt;/p&gt;
	&lt;div style=&quot;text-align: center;&quot;&gt;
		&lt;br&gt;
		&lt;div&gt;
			&lt;br&gt;
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			&lt;h3 class=&quot;sidebarTitle&quot; style=&quot;color: rgb(113, 133, 143); font-family: Garamond,&amp;quot;Hoefler Text&amp;quot;,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 40px; font-style: italic; font-weight: normal; margin: 0px; padding: 0px; text-transform: none; text-align: center;&quot;&gt;
				&lt;strong&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;&lt;span style=&quot;font-size: 24px;&quot;&gt;This&amp;nbsp; Months&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/h3&gt;
			&lt;h3 class=&quot;sidebarTitle&quot; style=&quot;color: rgb(113, 133, 143); font-family: Garamond,&amp;quot;Hoefler Text&amp;quot;,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 40px; font-style: italic; font-weight: normal; margin: 0px; padding: 0px; text-transform: none; text-align: center;&quot;&gt;
				&lt;strong&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;&lt;span style=&quot;font-size: 24px;&quot;&gt;Featured&amp;nbsp; Unused Books&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/h3&gt;
			&lt;img class=&quot;yui-img&quot; alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/Whereareyounow_50.jpg&quot; border=&quot;0&quot; height=&quot;250&quot; width=&quot;168&quot;&gt;&lt;/div&gt;
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		&lt;div style=&quot;color: rgb(80, 80, 80); font-family: Arial; font-size: 14px; line-height: 150%;&quot;&gt;
			&amp;nbsp;&lt;/div&gt;
		&lt;h4 class=&quot;h4&quot; style=&quot;text-align: center; line-height: 100%; display: block; font-family: arial; color: rgb(32, 32, 32); font-size: 22px; font-weight: bold; margin: 0pt 0pt 10px;&quot;&gt;
			&lt;span class=&quot;detailprodname&quot;&gt;Where are You Now?&lt;br&gt;
			&lt;/span&gt;&lt;/h4&gt;
		by&lt;br&gt;
		&lt;span class=&quot;detailprodname&quot;&gt;&lt;span class=&quot;contributors&quot;&gt;Mary Higgins Clark&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;br&gt;
		&lt;br&gt;
		&lt;span style=&quot;font-size:12px;&quot;&gt;It has been ten years since 21-year-old 
Kevin MacKenzie, Jr. ('Mac') went missing. A Columbia University senior,
 about to graduate and already enrolled in Duke University Law School, 
he walked out of his room and has never been seen again. However, he 
does ritually call to his mother every year: on her birthday, on his 
birthday, and on Mother's Day. Each time, he assures her he is fine, 
refuses to answer her frantic questions, then hangs up. Even the death 
of his father, a corporate lawyer, on 9/11 does not bring him home, or 
break the pattern of his calls. Mac's sister, Carolyn, is now 26, 
realises that neither she nor her mother will ever be able to have 
closure and get on with their lives until they find her brother. She 
sets out to discover what happened to Mac, and why he has found it 
necessary to hide from them. Her journey into the world of people who 
willingly disappear from their own lives leads her to learn about others
 who may or may not still be alive, and ultimately to a deadly 
confrontation with someone close to her who suddenly becomes an enemy - 
and cannot allow her to disclose his secret ...&amp;nbsp;&lt;/span&gt;&lt;br&gt;
		&lt;br&gt;
		&lt;span style=&quot;font-family:arial,helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;Published&amp;nbsp; Price : R190.00&lt;br&gt;
		&lt;strong&gt;&lt;span style=&quot;color: rgb(178, 34, 34);&quot;&gt;TALL&amp;nbsp; STORIES&amp;nbsp; PRICE : R65.00&lt;br&gt;
		&lt;img class=&quot;yui-img&quot; alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/clark.jpg&quot; style=&quot;width: 216px; height: 280px;&quot; border=&quot;0&quot;&gt;&lt;br&gt;
		&lt;br&gt;
		Mary&amp;nbsp; Higgins&amp;nbsp; Clark&amp;nbsp; is&amp;nbsp; considered&amp;nbsp; by&amp;nbsp; many&amp;nbsp; to&amp;nbsp; be&amp;nbsp; the&amp;nbsp; undisputed Queen&amp;nbsp; of&amp;nbsp; Crime.&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;
		&lt;div style=&quot;text-align: center;&quot;&gt;
			&amp;nbsp;&amp;nbsp;&lt;br&gt;
			&lt;div style=&quot;text-align: center;&quot;&gt;
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				&amp;amp;&lt;br&gt;
				&lt;img class=&quot;yui-img&quot; src=&quot;http://gallery.mailchimp.com/0d61bb2ec9002f0e9872b8c36/images/sidebar_bottom.png&quot; style=&quot;width: 185px; height: 20px;&quot;&gt;&lt;/h3&gt;
			&lt;div style=&quot;color: rgb(80, 80, 80); font-family: Arial; font-size: 14px; line-height: 150%;&quot;&gt;
				&lt;img class=&quot;yui-img&quot; alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/romanesq.jpg&quot; style=&quot;margin: 0;padding: 0;border: 0;height: auto;line-height: 100%;outline: none;text-decoration: none;display: inline;&quot; border=&quot;0&quot; height=&quot;200&quot; width=&quot;164&quot;&gt;&lt;/div&gt;
			&lt;h4 class=&quot;h4&quot; style=&quot;line-height: 100%; display: block; font-family: arial; color: rgb(32, 32, 32); font-size: 22px; font-weight: bold; margin: 0pt 0pt 10px; text-align: center;&quot;&gt;
				&lt;span style=&quot;color: #b22222&quot;&gt;Romanesque&lt;/span&gt;&lt;/h4&gt;
			&lt;div style=&quot;text-align: center;&quot;&gt;
				Romanesque (Paperback)&lt;br&gt;
				Norbert Wolf &lt;span style=&quot;font-size:11px;&quot;&gt;(Edited by)&lt;/span&gt;&lt;br&gt;
				Series: Taschen Basic Genre Series&lt;br&gt;
				&amp;nbsp;&lt;/div&gt;
			&lt;div style=&quot;text-align: center;&quot;&gt;
				&lt;span style=&quot;font-size:12px;&quot;&gt;Reaching its peak in the 11th and 12th
 centuries, the Romanesque movement was marked by a peculiar, vivid, and
 often monumental expressiveness in architecture and fine arts. The main
 centres were located in Italy, France, the German-language countries, 
Spain, and England, though the voices of Scandinavia and Eastern Europe 
expressed themselves distinctly in the genre, which patterned itself on 
antique and Byzantine art. Despite untold losses, countless Romanesque 
masterpieces remain preserved today. Highlights include: Frescoes in 
Galliano near Cantu, Sant'Angelo in Formis, Saint Chef, Saint-Savin-sur 
Gartempe, Lambach, S. Pietro al Monte near Civate, S. Clemente in Rome, 
from S. Maria de Tahull, Berze-la-Ville, Tavant, Panteon de los Reyes in
 Leon, Castel Appiano, from Sigena; the golden Altar-Piece from 
Lisbjerg; the Bayeux Tapestry; stained glasses in the Cathedral of 
Augsburg and Le Mans, mosaics in S. Clemete, Rome, and in S. Marco, 
Venice; coloured panels und crosses from La Seo de Urgel, Sarzana and 
the panted ceiling in St. Michael, Hildesheim; sculptures in Souillac, 
Autun, Santiago de Compostela; and examples of metalwork, of manuscripts
 and enamels. Each book in TASCHEN's &quot;Basic Genre&quot; series features: a 
detailed introduction with approximately 35 photographs, plus a timeline
 of the most important events (political, cultural, scientific, etc.) 
that took place during the time period, and a selection of the most 
important works of the epoch; each is presented on a 2-page spread with a
 full-page image and, on the facing page, a description/interpretation 
of the work and brief biography of the artist as well as additional 
information such as a reference work, portrait of the artist, and/or 
citations.&amp;nbsp;&lt;/span&gt;&lt;br&gt;
				&lt;br&gt;
				&lt;span style=&quot;font-size:12px;&quot;&gt; Format: Paperback - With flaps&lt;br&gt;
				&amp;nbsp; Pages: 96&lt;br&gt;
				&lt;/span&gt;&lt;/div&gt;
			&lt;p style=&quot;text-align: center;margin: 0;padding: 0;&quot;&gt;
				&lt;span style=&quot;font-family: arial,helvetica,sans-serif;&quot;&gt;Published&amp;nbsp; Price : R99.00&lt;br&gt;
				&lt;strong&gt;&lt;span style=&quot;color: rgb(178, 34, 34);&quot;&gt;TALL&amp;nbsp; STORIES&amp;nbsp; PRICE : R25.00&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
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			If you are at all interested and you use &lt;span style=&quot;font-size: 18px;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: rgb(64, 224, 208);&quot;&gt;Twitter&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;, you can visit us &lt;a class=&quot;&quot; href=&quot;http://twitter.com/TallStoriesBook&quot; style=&quot;color: #800000;text-decoration: underline;font-weight: normal;&quot;&gt;@TallStoriesBook &lt;/a&gt;, we&amp;nbsp; give&amp;nbsp; almost&amp;nbsp; daily&amp;nbsp; updates&amp;nbsp; relating&amp;nbsp; to&amp;nbsp; the&amp;nbsp; book&amp;nbsp; world.&lt;/div&gt;
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	&lt;span style=&quot;font-size: 18px;&quot;&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;&lt;strong&gt;Orders Are Being Taken For : &lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h3&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
	*whilst&amp;nbsp; stocks&amp;nbsp; last.&lt;/div&gt;
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	&lt;img class=&quot;yui-img&quot; alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/smallarms.1.jpg&quot; border=&quot;0&quot; height=&quot;220&quot; width=&quot;159&quot;&gt;&lt;br&gt;
	&lt;h3 style=&quot;text-align: center; line-height: 100%; display: block; font-family: arial; color: rgb(32, 32, 32); font-size: 26px; font-weight: bold; margin: 0pt 0pt 10px;&quot;&gt;
		&lt;span style=&quot;font-size:12px;&quot;&gt;Small Arms of the Anglo-Boer War 1899-1902&lt;/span&gt;&lt;/h3&gt;
	&lt;strong&gt;Author:&lt;/strong&gt; Ron Bester and Associates&lt;br&gt;
	&lt;strong&gt;Volumes:&lt;/strong&gt; One&lt;br&gt;
	&lt;em&gt;Kraal Publishers, Brandfort, South Africa&lt;/em&gt;&lt;br&gt;
	Hardback - 386&lt;br&gt;
	&lt;strong&gt;ISBN:&lt;/strong&gt;&amp;nbsp;1-874979-31-6&lt;br&gt;
	&lt;br&gt;
	This large book contains a comprehensive study of all rifles, carbines,
 handguns and edged weapons used by the opposing forces during the 
Anglo-Boer War. Contains fifteen chapters and is lavishly illustrated in
 both black-and white and colour. Complete with diagrams and thorough 
data. Well researched and informative volume. Contributers include Terry
 Wilson, Fred von Solms, Johan Hattingh, Frik Jacobs, Denny Rademeyer, 
Loyce Hillman, Duncan Noble, Hamish Paterson and Johan Loock.&lt;br&gt;
	&lt;br&gt;
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		&lt;span style=&quot;font-size:14px;&quot;&gt;&lt;span style=&quot;font-family: trebuchet ms,helvetica,sans-serif;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;Tall&amp;nbsp; Stories&amp;nbsp; Price :&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
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	&lt;span style=&quot;font-size: 18px;&quot;&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;&lt;strong&gt;Orders are Being Taken for the Following Book :&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h3&gt;
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	&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;&lt;span style=&quot;font-family: lucida sans unicode,lucida grande,sans-serif;&quot;&gt;Tall&amp;nbsp; Stories&amp;nbsp; Price : R650.00&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
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&lt;p style=&quot;text-align: left;&quot;&gt;
	&lt;strong&gt;&lt;span style=&quot;font-size:14px;&quot;&gt;&lt;font color=&quot;#231f20&quot;&gt;Artillery of the Anglo-Boer War&lt;/font&gt;&lt;/span&gt;&lt;/strong&gt;&lt;font color=&quot;#231f20&quot;&gt;&lt;span style=&quot;font-size:14px;&quot;&gt;&lt;strong&gt; 1899-1902&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
	By&lt;br&gt;
	Lionel Cook &lt;/font&gt;&lt;/p&gt;
&lt;div style=&quot;text-align: left;&quot;&gt;
	&lt;font color=&quot;#231f20&quot;&gt;A comprehensive study of the artillery-&lt;br&gt;
	men of both sides in the conflict and of&lt;br&gt;
	their armament, their horses and much&lt;br&gt;
	else that concerns a gunner. Edited by&lt;br&gt;
	Ron Bester.&lt;br&gt;
	Hard Back 386 pages. Size 30 x 24cm&lt;/font&gt;&lt;/div&gt;
&lt;p style=&quot;text-align: left;&quot;&gt;
	Local&amp;nbsp; standard&amp;nbsp; Postage&amp;nbsp; (within&amp;nbsp; South&amp;nbsp; Africa)&amp;nbsp; will&amp;nbsp; be&amp;nbsp; R45.00.&lt;/p&gt;
&lt;p style=&quot;text-align: left;&quot;&gt;
	Please&amp;nbsp; enquire&amp;nbsp; for&amp;nbsp; quotes&amp;nbsp; for&amp;nbsp; other&amp;nbsp; methods&amp;nbsp; of&amp;nbsp; postage.&lt;/p&gt;
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	&lt;strong&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;&lt;span style=&quot;font-size: 24px;&quot;&gt;This&amp;nbsp; Months&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/h3&gt;
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	&lt;strong&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;&lt;span style=&quot;font-size: 24px;&quot;&gt;Featured&amp;nbsp; Book&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/h3&gt;
&lt;br&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
	&lt;img class=&quot;yui-img&quot; alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/16357106579_LJWrP.jpg&quot; style=&quot;width: 185px; height: 235px;&quot; border=&quot;0&quot;&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
	&lt;strong&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;span style=&quot;font-family: trebuchet ms,helvetica,sans-serif;&quot;&gt;'Carvings from the Veldt' &lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br&gt;
	&lt;br&gt;
	&lt;h4 class=&quot;h4&quot; style=&quot;text-align: center; line-height: 100%; display: block; font-family: arial; color: rgb(32, 32, 32); font-size: 22px; font-weight: bold; margin: 0pt 0pt 10px;&quot;&gt;
		&lt;span style=&quot;font-size:12px;&quot;&gt;&lt;span style=&quot;font-family: trebuchet ms,helvetica,sans-serif;&quot;&gt;Part Two.A Pictorial History of Rifle Stock-Art from the Anglo-Boer War.&lt;/span&gt;&lt;/span&gt;&lt;/h4&gt;
	&lt;p style=&quot;text-align: left&quot;&gt;
		First&amp;nbsp; Edition. Near&amp;nbsp; Fine. Pictorial&amp;nbsp; laminated&amp;nbsp; boards. Quarto. Hard&amp;nbsp; cover.&lt;br&gt;
		&lt;span style=&quot;font-family:trebuchet ms,helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: rgb(178, 34, 34);&quot;&gt;&lt;span style=&quot;font-size: medium;&quot;&gt;&lt;strong&gt;SIGNED&amp;nbsp; BY&amp;nbsp; THE&amp;nbsp; AUTHOR&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: rgb(255, 0, 0);&quot;&gt;.&lt;/span&gt;&lt;br&gt;
		349&amp;nbsp; pp. Profusely&amp;nbsp; illustrated, mostly&amp;nbsp; in&amp;nbsp; &lt;span lang=&quot;en-GB&quot;&gt;colour.&lt;/span&gt; Illustrated&amp;nbsp; end-papers.&lt;/p&gt;
	&lt;p class=&quot;western&quot;&gt;
		Part One of ‘Carvings from the Veldt’ was remarkably well received, so
 much so that the author has&amp;nbsp;produced a second ‘follow-on’ edition. The 
new book features 306 new firearms: rifles, carbines and handguns used 
by both sides, the Boers as well as British and Colonial soldiers. The 
hard covered book contains over 1,400 images of carved and engraved 
weapons. In addition there are a further 25 farm maps, official forms 
and letters&amp;nbsp;&amp;amp; a selection of swords, bayonets, bandoliers, 
ammunition, medals, a large variety of unit badges and headgear worn by 
both sides. Also included are two new chapters covering Anglo-Boer War 
re-enactor groups (in six countries) and Anglo-Boer war trench-art and 
carvings.&lt;/p&gt;
	&lt;p class=&quot;western&quot;&gt;
		&quot;Folklore&amp;nbsp;and&amp;nbsp;verbal&amp;nbsp;tradition has it that in&amp;nbsp;late 1899&amp;nbsp; Commandant&amp;nbsp; 
General&amp;nbsp; Piet&amp;nbsp; Jorbert, who was in command of the ZAR forces, ordered 
that ...&quot;&lt;em&gt;the Transvaal&amp;nbsp; burgers mark their rifles and that they should start to wear distinguishing marks of their nationality&lt;/em&gt;&quot;.
 The reason for this instruction was because burgers from both the 
Transvaal (ZAR) and Orange Free State (OVS)&amp;nbsp;republics were operating 
together in the Natal campaign.&lt;/p&gt;
	&lt;p class=&quot;western&quot;&gt;
		Thanks to this Boer custom and to Piet Joubert, we can still find 
these historic rifles that have their owners' names carved onto the 
stocks. Many Boer Generals also set an example by having their rifles 
carved, for example Louis Botha, C.F. Beyers &amp;amp; Ben Viljoen. As you 
will see featured in this book, the most imaginative, artistic and 
adventurous burgers also carved battle names, the names of their farms 
and Commandos, or the towns that they came from.&quot; &lt;em&gt;- taken from the Preface.&lt;/em&gt;&lt;/p&gt;
	&lt;p class=&quot;western&quot;&gt;
		This book is guaranteed to be of interest to a wide variety of 
collectors, military historians, rifle collectors, shooters, medal and 
badge collectors,researchers and students&lt;/p&gt;
	&lt;div style=&quot;text-align: center;&quot;&gt;
		&lt;span style=&quot;font-size: 18px;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;&lt;span style=&quot;font-family: lucida sans unicode,lucida grande,sans-serif;&quot;&gt;R 950.00&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
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	&lt;p style=&quot;text-align: center&quot;&gt;
		Local&amp;nbsp; standard&amp;nbsp; Postage&amp;nbsp; (within&amp;nbsp; South&amp;nbsp; Africa)&amp;nbsp; will&amp;nbsp; be&amp;nbsp; R45.00.&lt;/p&gt;
	&lt;p style=&quot;text-align: center&quot;&gt;
		Please&amp;nbsp; enquire&amp;nbsp; for&amp;nbsp; quotes&amp;nbsp; for&amp;nbsp; other&amp;nbsp; methods&amp;nbsp; of&amp;nbsp; postage.&lt;/p&gt;
&lt;/div&gt;
&lt;h3 class=&quot;sidebarTitle&quot; style=&quot;text-align: center; color: rgb(113, 133, 143); font-family: Garamond,&amp;quot;Hoefler Text&amp;quot;,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 40px; font-style: italic; font-weight: normal; margin: 0px; padding: 0px; text-transform: none;&quot;&gt;
	&amp;amp;&lt;/h3&gt;
&lt;br&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;img class=&quot;yui-img&quot; src=&quot;http://gallery.mailchimp.com/0d61bb2ec9002f0e9872b8c36/images/sidebar_bottom.png&quot;&gt;&lt;br&gt;
&lt;img class=&quot;yui-img&quot; alt=&quot;&quot;&gt;&lt;img class=&quot;yui-img&quot; alt=&quot;&quot;&gt;&lt;/td&gt;
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                        &lt;td id=&quot;footer&quot; style=&quot;background-color: #CCCCCC;padding: 20px;font-size: 10px;color: #EEEEEE;line-height: 100%;font-family: Verdana;text-align: center;&quot;&gt;&lt;br&gt;&lt;div class=&quot;vcard&quot;&gt;&lt;span class=&quot;org fn&quot;&gt;Tall Stories - Fine Books for Discerning People&lt;/span&gt;&lt;div class=&quot;adr&quot;&gt;&lt;div class=&quot;street-address&quot;&gt;Shop 12, Irene Village Mall&lt;/div&gt;&lt;div class=&quot;extended-address&quot;&gt;C/O Pierre van Reyneveld &amp;amp; Nellmapius&lt;/div&gt;&lt;span class=&quot;locality&quot;&gt;Centurion&lt;/span&gt;, &lt;span class=&quot;region&quot;&gt;Gauteng&lt;/span&gt;  &lt;span class=&quot;postal-code&quot;&gt;0045&lt;/span&gt;&lt;/div&gt;&lt;br&gt;&lt;a href=&quot;http://tallstoriesbookshop.us2.list-manage1.com/vcard?u=34df5263c51a0e524fd147683&amp;amp;id=84279620b9&quot; class=&quot;hcard-download&quot;&gt;&lt;br&gt;&lt;/a&gt;&lt;/div&gt;
							
                            &lt;p&gt;Copyright (C) 2011 Tall Stories - Fine Books for Discerning People All rights reserved.&lt;/p&gt;
							
							&lt;a class=&quot;&quot; href=&quot;http://www.mailchimp.com/monkey-rewards/?aid=34df5263c51a0e524fd147683&amp;amp;afl=1&quot;&gt;&lt;br&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</description>
            <pubDate>Fri, 30 Sep 2011 17:43:06 +0100</pubDate>
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        <item>
            <title>The Knifemakers' Guild of Southern Africa Annual Show</title>
            <link>http://www.tallstoriesbookshop.com/tall-in-the-land-of-stories/the-knifemakers-guild-of-southern-africa-annual-show</link>
            <description>Hello&amp;nbsp; Folks, it&amp;nbsp; is&amp;nbsp; that&amp;nbsp; time&amp;nbsp; of&amp;nbsp; the&amp;nbsp; year&amp;nbsp; again&amp;nbsp; and&amp;nbsp; Tall&amp;nbsp; Stories&amp;nbsp; will&amp;nbsp; be&amp;nbsp; exhibiting&amp;nbsp; at&amp;nbsp; :&lt;br&gt;&lt;br&gt;&lt;table border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; width=&quot;585&quot;&gt;&lt;tbody&gt;&lt;tr style=&quot;font-family: yui-tmp;&quot;&gt;&lt;td style=&quot;text-align: center;&quot; class=&quot;LargeHeader&quot; height=&quot;16&quot;&gt;&lt;b style=&quot;font-size: 20px;&quot;&gt;The Knifemakers' Guild of Southern Africa
      Annual Show&lt;/b&gt;&lt;/td&gt;
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    &lt;td background=&quot;templates/standard/images/bars/dotted_bar_1px.gif&quot;&gt;&lt;img class=&quot;yui-img&quot; src=&quot;http://www.kgsa.co.za/templates/standard/images/bars/dotted_bar_1px.gif&quot; width=&quot;2&quot; height=&quot;1&quot;&gt;&lt;/td&gt;
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    &lt;td valign=&quot;top&quot;&gt; &lt;div class=&quot;LargeHeader&quot; align=&quot;left&quot;&gt;The Show Venue and Dates : &lt;br&gt;&lt;/div&gt;&lt;/td&gt;
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          &lt;td&gt;&lt;img class=&quot;yui-img&quot; src=&quot;http://www.kgsa.co.za/templates/standard/images/spacer.gif&quot; width=&quot;5&quot; height=&quot;5&quot;&gt;&lt;/td&gt;
        &lt;/tr&gt;
      &lt;/tbody&gt;&lt;/table&gt;
	Mosaïek Lifestyle Centre, Communio Exhibition Hall,&lt;br&gt;
      Danielle Street, Fairlands, Gauteng.&lt;br&gt;
      GPS co-ordinates,  X: 27d56.1069m, Y: 26d08.7500m&lt;br&gt;
      &lt;br&gt;
      Conveniently situated next to the N1 in Roodepoort to the &lt;br&gt;
      west of the city of Johannesburg, the premises are easily &lt;br&gt;
      accessible from the 14th Avenue off ramp, and offer secure &lt;br&gt;
      parking with access control.&lt;br&gt;
      &lt;br&gt;
	Friday 2, and Saturday 3 September 2011&lt;br&gt;
      &lt;br&gt;
    &lt;/td&gt;
  &lt;/tr&gt;
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    &lt;td valign=&quot;top&quot;&gt;&lt;img class=&quot;yui-img&quot; src=&quot;http://www.kgsa.co.za/templates/standard/images/spacer.gif&quot; width=&quot;10&quot; height=&quot;10&quot;&gt;&lt;/td&gt;
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    &lt;td valign=&quot;top&quot;&gt; &lt;div class=&quot;LargeHeader&quot; align=&quot;left&quot;&gt;The Exhibitors : &lt;br&gt;&lt;/div&gt;&lt;/td&gt;
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    &lt;td valign=&quot;top&quot;&gt; &lt;table align=&quot;left&quot; border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; width=&quot;100&quot;&gt;
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          &lt;td&gt;&lt;img class=&quot;yui-img&quot; src=&quot;http://www.kgsa.co.za/templates/images/show_calendar/2.gif&quot; vspace=&quot;3&quot; width=&quot;200&quot; height=&quot;145&quot;&gt;&lt;/td&gt;
          &lt;td&gt;&lt;img class=&quot;yui-img&quot; src=&quot;http://www.kgsa.co.za/templates/standard/images/spacer.gif&quot; width=&quot;5&quot; height=&quot;5&quot;&gt;&lt;/td&gt;
        &lt;/tr&gt;
      &lt;/tbody&gt;&lt;/table&gt;
      At the Guild Show, approximately 45 knifemakers exhibit, plus allied crafts
      and materials and equipment suppliers. All types of knives are usually on
      display, from miniatures to swords, folders to hunters, art daggers to kitchen
      utilities. Materials range from hi-tech steels to own forged damascus, mammoth ivory to micarta,
      and horn, bone and unique African hardwoods. South African
      knifemakers have developed a well deserved reputation for quality at international
      shows all over the world.&lt;br&gt; &lt;br&gt;
      The exhibition runs over two days but is preceded by a 'preview' which is
      held on the Friday before the public exhibition on Saturday. This preview is
      intended to honor our most loyal supporters and offer the opportunity of
      inspecting or acquiring items from the current year's offerings, in a more
      leisurely and less crowded atmosphere. The attendance is by invitation to real enthusiasts. Welcome
      drinks and snacks are served and a bar service is available. Competition
      results are announced and the winning knives may be seen and handled,
      providing a good indication of current achievements and guide to the
      location of some of the noteworthy items around the hall. This preview
      invitation will normally be extended to all foreign visitors.&lt;br&gt;&lt;br&gt;The&amp;nbsp; above&amp;nbsp; information&amp;nbsp; is&amp;nbsp; taken&amp;nbsp; from&amp;nbsp; the&amp;nbsp; guild's&amp;nbsp; website : http://www.kgsa.co.za/&lt;br&gt;&lt;br&gt;Do&amp;nbsp; come&amp;nbsp; us&amp;nbsp; and&amp;nbsp; visit&amp;nbsp; us&amp;nbsp; there, we&amp;nbsp; shall&amp;nbsp; be&amp;nbsp; selling&amp;nbsp; various&amp;nbsp; different&amp;nbsp; books&amp;nbsp; related&amp;nbsp; to&amp;nbsp; collecting&amp;nbsp; knives. &lt;br&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br&gt;</description>
            <pubDate>Thu, 01 Sep 2011 13:43:33 +0100</pubDate>
        </item>
        <item>
            <title>August  2011, Newsletter</title>
            <link>http://www.tallstoriesbookshop.com/tall-in-the-land-of-stories/august-2011-newsletter</link>
            <description>&lt;div class=&quot;content&quot; valign=&quot;top&quot; style=&quot;font-size: 13px; line-height: 1.4em; color: rgb(68, 68, 68);&quot; align=&quot;left&quot;&gt;&lt;div&gt;
	&lt;h1 class=&quot;main-heading&quot; style=&quot;color: rgb(113, 133, 143); font-family: Baskerville,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 110px; font-style: italic; font-weight: normal; letter-spacing: -2px; margin: 0pt; padding: 0pt; text-transform: none; text-align: center;&quot;&gt;
		&lt;img alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/ice_cream_man_shop_picture_60.1.jpg&quot; border=&quot;0&quot; width=&quot;362px&quot; height=&quot;271px&quot;&gt;&lt;/h1&gt;
	&lt;br&gt;
	&lt;br&gt;
	&lt;div style=&quot;text-align: center;&quot;&gt;
		&lt;span style=&quot;color: rgb(102, 0, 0);&quot;&gt;&lt;span style=&quot;font-size: 64px;&quot;&gt;&lt;span style=&quot;font-family: lucida sans unicode,lucida grande,sans-serif;&quot;&gt;Tall&amp;nbsp; Stories&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br&gt;
		&lt;br&gt;
		&amp;nbsp;&lt;/div&gt;
	&lt;div style=&quot;text-align: center;&quot;&gt;
		&lt;span style=&quot;color: rgb(102, 0, 0);&quot;&gt;____________________________________________&lt;/span&gt;&lt;/div&gt;
	&lt;h4 class=&quot;sub-heading&quot; style=&quot;color: rgb(140, 200, 173); font-family: Baskerville,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 14px; font-style: normal; font-weight: bold; letter-spacing: 1px; margin: 0pt; padding: 0pt; text-transform: uppercase; text-align: center;&quot;&gt;
		&lt;span style=&quot;color: rgb(102, 0, 0);&quot;&gt;• Fine&amp;nbsp; Books&amp;nbsp; for&amp;nbsp; Discerning&amp;nbsp; Readers •&lt;/span&gt;&lt;/h4&gt;
	&lt;br&gt;
	&lt;p style=&quot;margin: 0pt; padding: 0pt;&quot;&gt;
		Hello All,&lt;/p&gt;
	&lt;br&gt;
	This letter has been a long time in coming out, so we thought we would start things out with a bit of&amp;nbsp; literary fun.&lt;br&gt;
	&lt;p style=&quot;margin: 0pt; padding: 0pt;&quot;&gt;
		Something that we thought was quite fun which we&amp;nbsp; would like to share 
with you is a recent topic which was generated by @RandomHouse via the 
social networking site of Twitter, which asked people to come up with 
the food equivalent of some classic literature titles, but with a food 
theme instead, so for example : Ernest Hemingway's &quot;The Sun also Rises&quot; 
became &quot;The Bun also Rises&quot;. Please note that we have not given 
accreditation to various people for their originality, so if anyone 
feels maligned, we do apologise in advance. We thought we would share 
some of the more funny #FoodieLit translations with you :&lt;br&gt;
		&amp;nbsp;&lt;/p&gt;
	&lt;p style=&quot;margin: 0pt; padding: 0pt;&quot;&gt;
		Leek House - Bleak House by Charles Dickens, which was our contribution to the game.&lt;br&gt;
		&amp;nbsp;&lt;/p&gt;
	&lt;p style=&quot;margin: 0pt; padding: 0pt;&quot;&gt;
		The Thyme Traveller's Wife - The Time Traveller's Wife by Audrey 
Niffenigger, which was also our contribution as well as The Time 
Traveller's Knife.&lt;br&gt;
		&amp;nbsp;&lt;/p&gt;
	&lt;p style=&quot;margin: 0pt; padding: 0pt;&quot;&gt;
		Peter Panini - Peter Pan by J. M. Barrie.&lt;br&gt;
		&amp;nbsp;&lt;/p&gt;
	&lt;p style=&quot;margin: 0pt; padding: 0pt;&quot;&gt;
		The Lord of the Onion Rings - Lord of the Rings by J. R. R. Tolkien.&lt;br&gt;
		&amp;nbsp;&lt;/p&gt;
	&lt;p style=&quot;margin: 0pt; padding: 0pt;&quot;&gt;
		For Whom the Bellpepper Tolls - For Whom the Bell Tolls by Ernest 
Hemingway, along the same thought was : Sylvia Plath's Bell Jar* which 
became The Bellpepper Jar&lt;br&gt;
		&amp;nbsp;&lt;/p&gt;
	&lt;p style=&quot;margin: 0pt; padding: 0pt;&quot;&gt;
		Little House on the Praline - Little&amp;nbsp; House&amp;nbsp; on&amp;nbsp; the&amp;nbsp; Prairie by&amp;nbsp; &lt;span class=&quot;contributors&quot;&gt;Laura Ingalls Wilder&lt;/span&gt;&lt;br&gt;
		&amp;nbsp;&lt;/p&gt;
	&lt;p style=&quot;margin: 0pt; padding: 0pt;&quot;&gt;
		The Grapes of Broth - The&amp;nbsp; Grapes&amp;nbsp; of&amp;nbsp; Wrath&amp;nbsp; by&amp;nbsp; John&amp;nbsp; Steinbeck&lt;br&gt;
		&amp;nbsp;&lt;/p&gt;
	&lt;p style=&quot;margin: 0pt; padding: 0pt;&quot;&gt;
		Watercress Down - Watership&amp;nbsp; Down&amp;nbsp; by Richard Adams&lt;br&gt;
		&amp;nbsp;&lt;/p&gt;
	&lt;p style=&quot;margin: 0pt; padding: 0pt;&quot;&gt;
		The Merry Chives of Windsor - The&amp;nbsp; Merry&amp;nbsp; Wives&amp;nbsp; of&amp;nbsp; Windsor&amp;nbsp; by&amp;nbsp; &lt;span class=&quot;contributors&quot;&gt;William Shakespeare&lt;/span&gt;&lt;br&gt;
		&amp;nbsp;&lt;/p&gt;
	&lt;p style=&quot;margin: 0pt; padding: 0pt;&quot;&gt;
		Midnight in the Garden of Food &amp;amp; Weevill - Midnight&amp;nbsp; in&amp;nbsp; the&amp;nbsp; Garden&amp;nbsp; of&amp;nbsp; Good&amp;nbsp; and&amp;nbsp; Evil&amp;nbsp; by&amp;nbsp; John&amp;nbsp; Berendt&lt;br&gt;
		&amp;nbsp;&lt;/p&gt;
	&lt;p style=&quot;margin: 0pt; padding: 0pt;&quot;&gt;
		Yeast of&amp;nbsp; Eden - East&amp;nbsp; of&amp;nbsp; Eden&amp;nbsp; by&amp;nbsp; John&amp;nbsp; Steinbeck&lt;br&gt;
		&amp;nbsp;&lt;/p&gt;
	&lt;p style=&quot;margin: 0pt; padding: 0pt;&quot;&gt;
		Bury My Heart at Wounded Ghee - Bury My Heart at Wounded Knee by Dee Brown&lt;br&gt;
		&amp;nbsp;&lt;/p&gt;
	&lt;p style=&quot;margin: 0pt; padding: 0pt;&quot;&gt;
		If you send in your #FoodieLit contributions, which have to be 
original &amp;amp;&amp;nbsp; are not copied from the list,: #foodielit the most 
original title will win a &lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;&lt;strong&gt;gift voucher&lt;/strong&gt;&lt;/span&gt; to the value of R100.00 from us. The winner will be notified on the 2nd of September, 2011.&lt;br&gt;
		&lt;br&gt;
		* As an interesting afterthought for those of you who are interested 
in collecting Modern First Editions, The Bell Jar was not originally 
published under the name of Sylvia Plath but rather under the name of 
Victoria Lucas.&lt;/p&gt;
	&lt;p style=&quot;margin: 0pt; padding: 0pt;&quot;&gt;
		If you are at all interested and you use &lt;span style=&quot;font-size: 18px;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: rgb(64, 224, 208);&quot;&gt;Twitter&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;, you can visit us &lt;a href=&quot;http://tallstoriesbookshop.us2.list-manage.com/track/click?u=34df5263c51a0e524fd147683&amp;amp;id=663876aa56&amp;amp;e=73d4ec3bc4&quot; style=&quot;color: rgb(128, 0, 0); text-decoration: underline; font-weight: normal;&quot;&gt;@TallStoriesBook &lt;/a&gt;, we&amp;nbsp; give&amp;nbsp; almost&amp;nbsp; daily&amp;nbsp; updates&amp;nbsp; relating&amp;nbsp; to&amp;nbsp; the&amp;nbsp; book&amp;nbsp; world.&lt;/p&gt;
	&lt;br&gt;
	When I have been able to focus my eyes through the biting cold, I have been reading &lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;The Kindly Ones&lt;/span&gt;,
 by Jonathan Littel. A hugely interesting book, and one that gives the 
lie to any piece of advice you have ever seen about succesful creative 
writing. It is a tome of more than 950 pages about a bisexual German 
officer in the Einsatzgruppe of the SS during the Second World War, and 
has been met with howls of pleasure and outrage wherever it has been 
published.
	&lt;p style=&quot;margin: 0pt; padding: 0pt;&quot;&gt;
		Written in French by an American (son of one of my favourite spy 
authors, Robert Littel) and originally published in France, it won the 
Prix de Goncourt and sold more than 700 000 copies there. The books' 
American publisher paid $1 000 000 for the rights, and it has sold well 
all over the world. Not the stuff best sellers are made of, at all, it 
concentrates on the evil of the nazi extermination policy in Europe. 
Where Hannah Arendt described the same as the banality of evil, Littel's
 approach examines its bureaucratic nature. Max Weber introduced the 
concept of bureaucracy as an attempt to standardise administrative 
procedure. In the nazi system this degenerated into a rational, 
efficient system of murder that shifted, warped and changed the world's 
definition of what it meant to be human, and inhuman.&lt;/p&gt;
	&lt;p style=&quot;margin: 0pt; padding: 0pt;&quot;&gt;
		The main character is deeply unpleasant, and no-one, aside from those 
you or I would not want to know, can identify or sympathise with him. 
Yet the book is magnificent, and even crammed with historical detail to 
the point of redundancy and beyond, keeps you enthralled. It's 
description of the battle of Stalingrad is grippingly, horrifyingly real
 and leaves you shaken and thoughtful.&lt;/p&gt;
	&lt;p style=&quot;margin: 0pt; padding: 0pt;&quot;&gt;
		The next time you see a press of generic, mass market novels, do not 
despair – on occasion publishers will still print the exceptional. We 
live in hope.&lt;/p&gt;
	&lt;p style=&quot;margin: 0pt; padding: 0pt;&quot;&gt;
		P.S. We did ask Agatha-Panther, our book cat, to contribute to this 
newsletter. She only wanted to talk about food and how to take a 
marathon nap, and we deemed it not appropriate.&lt;br&gt;
		&amp;nbsp;&lt;/p&gt;
	&lt;div style=&quot;text-align: center;&quot;&gt;
		&lt;img alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/AgTallStories.jpg&quot; style=&quot;border-width: 0pt; border-style: solid; width: 315px; height: 209px;&quot; border=&quot;0&quot;&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
                        
                    
                    
                    
                        
                            
                                
                                    &lt;table id=&quot;top_content&quot; style=&quot;padding-bottom: 0px;&quot; border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; width=&quot;560&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class=&quot;content threecol first&quot; id=&quot;&quot; style=&quot;font-size: 11px; line-height: 1.4em; color: rgb(68, 68, 68); width: 25%; padding-right: 20px; padding-left: 0pt; padding-top: 20px; border-right: 1px solid rgb(186, 161, 123);&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;h3 class=&quot;sidebarTitle&quot; style=&quot;text-align: center; color: rgb(113, 133, 143); font-family: Garamond,&amp;quot;Hoefler Text&amp;quot;,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 40px; font-style: italic; font-weight: normal; margin: 0px; padding: 0px; text-transform: none;&quot;&gt;
	&lt;span style=&quot;font-size: 18px;&quot;&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;&lt;strong&gt;Our Unused&amp;nbsp; Book &lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h3&gt;
&lt;br&gt;
&lt;h3 class=&quot;sidebarTitle&quot; style=&quot;text-align: center; color: rgb(113, 133, 143); font-family: Garamond,&amp;quot;Hoefler Text&amp;quot;,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 40px; font-style: italic; font-weight: normal; margin: 0px; padding: 0px; text-transform: none;&quot;&gt;
	&lt;span style=&quot;font-size: 18px;&quot;&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;&lt;strong&gt;Specials&amp;nbsp; for&amp;nbsp; this&amp;nbsp; Month.&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h3&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
	*whilst&amp;nbsp; stocks&amp;nbsp; last.&lt;br&gt;
	&lt;h1&gt;
		&lt;span class=&quot;detailprodname&quot;&gt;Spa Wars&lt;/span&gt;&lt;/h1&gt;
	by&lt;br&gt;
	&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;span class=&quot;contributors&quot;&gt;Chris Manby&lt;/span&gt;&lt;/span&gt;&lt;br&gt;
	&amp;nbsp;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
	&lt;img alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/spa_wars_manby_chris_hardcover_cover_art.jpg&quot; style=&quot;width: 108px; height: 157px;&quot; border=&quot;0&quot;&gt;&lt;br&gt;
	&amp;nbsp;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
	When Emily Brown's life and business is turned around by a surprise 
visit from Carina Lees, immaculately-groomed reality TV star, she can't 
believe her luck.With just one other member of staff to help her out at 
her Essex salon The Beauty Spot, Emily is pushed for time as well as 
money, and so Carina's patronage and the subsequent financial success of
 the salon is more welcome than a sunbed session in December. But even 
with the assistance of skilled-yet-shabby new girl Natalie, things start
 to go mysteriously wrong, and it soon becomes clear that someone's got 
it in for the salon. And with tactics dirtier than a gardener's 
fingernails, the battle of the beauticians commences. For under all the 
make-up and manicures, Carina is not who she seems, and although 
confronting the past can be more painful than a bikini wax, Emily 
eventually has to stare the truth in the face and realise it's what's 
inside that really counts ...&lt;/div&gt;
&lt;br&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
	&lt;span style=&quot;font-family: trebuchet ms,helvetica,sans-serif;&quot;&gt;&lt;strong&gt;Published&amp;nbsp; Price : R185.00&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
	&lt;span style=&quot;font-family: trebuchet ms,helvetica,sans-serif;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;&lt;span style=&quot;font-size: 18px;&quot;&gt;Tall&amp;nbsp; Stories&amp;nbsp; Price :&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
	&lt;br&gt;
	&lt;span style=&quot;font-family: trebuchet ms,helvetica,sans-serif;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;&lt;span style=&quot;font-size: 18px;&quot;&gt;R 95.00&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br&gt;
&lt;/td&gt;
                                    &lt;td class=&quot;content threecol&quot; style=&quot;font-size: 11px; line-height: 1.4em; color: rgb(68, 68, 68); width: 28%; padding-right: 20px; padding-left: 20px; padding-top: 20px; border-right: 1px solid rgb(186, 161, 123);&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;h3 class=&quot;sidebarTitle&quot; style=&quot;text-align: center; color: rgb(113, 133, 143); font-family: Garamond,&amp;quot;Hoefler Text&amp;quot;,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 40px; font-style: italic; font-weight: normal; margin: 0px; padding: 0px; text-transform: none;&quot;&gt;
	&lt;span style=&quot;font-size: 18px;&quot;&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;&lt;strong&gt;Our Unused&amp;nbsp; Book Specials&amp;nbsp; for&amp;nbsp; this&amp;nbsp; Month.&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h3&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
	*whilst&amp;nbsp; stocks&amp;nbsp; last.&lt;/div&gt;
&lt;br&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
	&lt;h1&gt;
		&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;span style=&quot;color: rgb(105, 105, 105);&quot;&gt;&lt;span class=&quot;detailprodname&quot;&gt;Special&amp;nbsp; Air&amp;nbsp; Service&amp;nbsp; Rhodesia : The&amp;nbsp; Men&amp;nbsp; Speak&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;
	&lt;span style=&quot;color: rgb(105, 105, 105);&quot;&gt;by&lt;br&gt;
	&lt;span style=&quot;font-size: 14px;&quot;&gt;Jonathan&amp;nbsp; Pittaway&lt;/span&gt;&lt;/span&gt;&lt;br&gt;
	&amp;nbsp;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
	&lt;img alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/SAS_Image.jpg&quot; style=&quot;width: 169px; height: 213px;&quot; border=&quot;0&quot;&gt;&lt;br&gt;
	&amp;nbsp;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
	&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;&lt;span style=&quot;font-family: lucida sans unicode,lucida grande,sans-serif;&quot;&gt;Tall&amp;nbsp; Stories&amp;nbsp; Price : R450.00&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
Until now little has been known about the Rhodesian contribution to the 
history of the SAS. Now at last the men themselves tell their own 
stories of the exploits of that elite Special Forces unit during the 
Bush War and the years before.
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;
	Soft cover 590 pages, profusely illustrated in both colour and black &amp;amp; white.&lt;/p&gt;
&lt;br&gt;
This comprehensive volume starts with the birth of the SAS during the 
Second World War. Men from the British Commonwealth of the then 
Southern-Rhodesian joined the new parachute regiment, the Long Range 
Desert Group and the SAS.
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;
	Later chapters cover Malaya, the Federation of Rhodesia and Nyasaland, 
Southern Rhodesia and finally Rhodesia up to the birth of Zimbabwe and 
disbanding of the Rhodesian SAS.&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;
	As it is written by those involved it is very evocative.&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;
	This is how Trooper Geoff Turner-Dauncey describes service in the jungles of Malaya:&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;
	“From the moment we stepped into the jungle until we returned to base 
we got soaked, and stayed wet... . With our operational dress torn and 
rotting... it was common practice to burn our clothes on returning to 
base. For a while troops returning to base from operations looked rather
 like clowns: wearing just PT shorts, sandals and berets, their bodies 
lavishly painted with mercurochrome, gentian violet and Whitfield's 
Lotion until their skin problems healed.”&lt;br&gt;
	&lt;br&gt;
	&lt;strong&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;Please Note :&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br&gt;
	&lt;br&gt;
	Orders will be taken for this book, with a 2 week waiting period.&lt;/p&gt;
&lt;/td&gt;
                                    &lt;td class=&quot;content threecol last&quot; style=&quot;font-size: 11px; line-height: 1.4em; color: rgb(68, 68, 68); width: 28%; padding-right: 15px; padding-left: 20px; padding-top: 20px; margin-right: 15px; border: 0pt none;&quot; align=&quot;center&quot; valign=&quot;middle&quot;&gt;&lt;div style=&quot;text-align: center;&quot;&gt;
	&lt;img src=&quot;http://gallery.mailchimp.com/0d61bb2ec9002f0e9872b8c36/images/sidebar_top.png&quot;&gt;&lt;/div&gt;
&lt;br&gt;
&lt;h3 class=&quot;sidebarTitle&quot; style=&quot;color: rgb(113, 133, 143); font-family: Garamond,&amp;quot;Hoefler Text&amp;quot;,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 40px; font-style: italic; font-weight: normal; margin: 0px; padding: 0px; text-transform: none; text-align: center;&quot;&gt;
	&lt;strong&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;&lt;span style=&quot;font-size: 24px;&quot;&gt;This&amp;nbsp; Months&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/h3&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
	&amp;nbsp;&lt;/div&gt;
&lt;h3 class=&quot;sidebarTitle&quot; style=&quot;color: rgb(113, 133, 143); font-family: Garamond,&amp;quot;Hoefler Text&amp;quot;,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 40px; font-style: italic; font-weight: normal; margin: 0px; padding: 0px; text-transform: none; text-align: center;&quot;&gt;
	&lt;strong&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;&lt;span style=&quot;font-size: 24px;&quot;&gt;Featured&amp;nbsp; Book&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/h3&gt;
&lt;br&gt;
&lt;br&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
	&lt;a href=&quot;http://tallstoriesbookshop.us2.list-manage.com/track/click?u=34df5263c51a0e524fd147683&amp;amp;id=b0ed358719&amp;amp;e=73d4ec3bc4&quot; style=&quot;color: rgb(128, 0, 0); text-decoration: underline; font-weight: normal;&quot;&gt;&lt;span style=&quot;color: rgb(105, 105, 105);&quot;&gt;*&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;font-family: trebuchet ms,helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 18px;&quot;&gt;&lt;a href=&quot;http://tallstoriesbookshop.us2.list-manage.com/track/click?u=34df5263c51a0e524fd147683&amp;amp;id=9ce0cf90e8&amp;amp;e=73d4ec3bc4&quot; style=&quot;color: rgb(128, 0, 0); text-decoration: underline; font-weight: normal;&quot;&gt;&lt;span style=&quot;color: rgb(105, 105, 105);&quot;&gt; &lt;strong&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;The History&amp;nbsp; of&amp;nbsp; the&amp;nbsp; Zulu&amp;nbsp; War&amp;nbsp; and&amp;nbsp; Its&amp;nbsp; Origins.&lt;/span&gt;&lt;br&gt;
	&lt;br&gt;
	&lt;span style=&quot;font-size: 12px;&quot;&gt;Colenso&amp;nbsp; Frances&amp;nbsp; E.&lt;br&gt;
	&amp;nbsp; &amp;amp;&amp;nbsp;&lt;br&gt;
	Durnford, Lieut.-Colonel&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;&lt;/strong&gt;&lt;br&gt;
	&lt;br&gt;
	&lt;br&gt;
	&lt;span class=&quot;book-details-label&quot;&gt;Imprint: &lt;/span&gt;London, Chapman and Hall, Limited, 1880&lt;br&gt;
	&lt;span class=&quot;book-details-label&quot;&gt;Edition: &lt;/span&gt;&lt;span class=&quot;book-details-selected&quot;&gt;First Edition&lt;/span&gt;&lt;br&gt;
	&lt;span class=&quot;book-details-label&quot;&gt;Binding: &lt;/span&gt; Hardback&lt;/div&gt;
&lt;br&gt;
&lt;div class=&quot;book-desc&quot;&gt;
	Royal Octavo. 491 + 24 pp (publisher, Chapman &amp;amp; Hall's catalogue 
dated February 16, 1880).Folding coloured map at rear. Some acid tape 
repairs. Some creases and tears to the map. Recased, with new headbands 
and end-papers. Recasing has original cloth laid down onto the boards. A
 good job as a recasing, although the end-papers are too white. Ink name
 on the half-title page with a small ( 5 cm) tear in the top edge of the
 page. Some light foxing around the title page. Overall a good copy. The
 authors deal with the background to the War from the Zulu perspective 
and are critical of Frere and his policy towards Cetywayo and the 
ultimatum which was presented to him. A scarce and important title. Hard
 Cover. Book Condition: Very Good. Binding: Olive Cloth. Jacket: No 
Jacket&lt;/div&gt;
&lt;div class=&quot;book-id&quot;&gt;
	&lt;span class=&quot;book-id-label&quot;&gt;Stock number:&lt;/span&gt;01470.&lt;/div&gt;
&lt;br&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
	&lt;span style=&quot;font-size: 18px;&quot;&gt;&lt;strong&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;&lt;span style=&quot;font-family: lucida sans unicode,lucida grande,sans-serif;&quot;&gt;R 9000.00&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br&gt;
	&lt;span style=&quot;font-family: lucida sans unicode,lucida grande,sans-serif;&quot;&gt;&lt;a href=&quot;http://tallstoriesbookshop.us2.list-manage.com/track/click?u=34df5263c51a0e524fd147683&amp;amp;id=913136c35e&amp;amp;e=73d4ec3bc4&quot; style=&quot;color: rgb(229, 132, 42); font-style: normal; font-weight: bold; text-decoration: underline;&quot;&gt;Buy Now &lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br&gt;
&lt;br&gt;
&lt;h3 class=&quot;sidebarTitle&quot; style=&quot;text-align: center; color: rgb(113, 133, 143); font-family: Garamond,&amp;quot;Hoefler Text&amp;quot;,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 40px; font-style: italic; font-weight: normal; margin: 0px; padding: 0px; text-transform: none;&quot;&gt;
	&amp;amp;&lt;/h3&gt;
&lt;br&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
	&lt;img alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/Zulu_War_Image1.jpg&quot; style=&quot;width: 93px; height: 244px;&quot; border=&quot;0&quot;&gt;&lt;br&gt;
	&amp;nbsp;&lt;/div&gt;
&lt;div&gt;
	&lt;img alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/Zulu_War_Image.jpg&quot; style=&quot;border-width: 0pt; border-style: solid;&quot; border=&quot;0&quot; width=&quot;199&quot; height=&quot;258&quot;&gt;&lt;br&gt;
	&amp;nbsp;&lt;/div&gt;
&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;img src=&quot;http://gallery.mailchimp.com/0d61bb2ec9002f0e9872b8c36/images/sidebar_bottom.png&quot;&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</description>
            <pubDate>Sun, 14 Aug 2011 13:07:08 +0100</pubDate>
        </item>
        <item>
            <title>January Highlight in the Africana Section. (Unused Book)</title>
            <link>http://www.tallstoriesbookshop.com/tall-in-the-land-of-stories/january-highlight-in-the-africana-section-unused-book-</link>
            <description>
&lt;a class=&quot;&quot; href=&quot;http://2.bp.blogspot.com/_vXaHMnpI-GY/TTBq4v8VZaI/AAAAAAAAAR8/J1TJbPcD2fQ/s1600/africa.jpg&quot;&gt;&lt;img class=&quot;yui-img&quot; style=&quot;float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 134px; height: 200px;&quot; src=&quot;http://2.bp.blogspot.com/_vXaHMnpI-GY/TTBq4v8VZaI/AAAAAAAAAR8/J1TJbPcD2fQ/s200/africa.jpg&quot; alt=&quot;&quot; id=&quot;BLOGGER_PHOTO_ID_5562063062977308066&quot; border=&quot;0&quot;&gt;&lt;/a&gt;&lt;br&gt;&lt;b style=&quot;color: rgb(153, 153, 0);&quot;&gt;&lt;span style=&quot;font-style: italic; font-size: 130%;&quot;&gt;Africa - Altered States, Ordinary Miracles &lt;/span&gt;&lt;br&gt;&lt;/b&gt;&lt;b style=&quot;color: rgb(153, 153, 0);&quot;&gt;by &lt;a class=&quot;&quot; href=&quot;http://www.richarddowden.info/&quot;&gt;Richard  Dowden&lt;/a&gt;  with a Foreword by &lt;a class=&quot;&quot; href=&quot;http://www.bbc.co.uk/bbcfour/documentaries/profile/chinua-achebe.shtml&quot;&gt;Chinua  Achebe&lt;/a&gt;&lt;/b&gt;&lt;br&gt;&lt;b style=&quot;color: rgb(153, 153, 0);&quot;&gt;&lt;br&gt;&lt;/b&gt;&lt;br&gt;&lt;b style=&quot;color: rgb(153, 153, 0);&quot;&gt;Hardcover, 576 pages,&lt;br&gt;Published by &lt;a class=&quot;&quot; href=&quot;http://www.portobellobooks.com/&quot;&gt;Portobello Books&lt;/a&gt; Ltd&lt;br&gt;&lt;br&gt;Published  Price : R 367.00&lt;br&gt;&lt;br&gt;&lt;a class=&quot;&quot; href=&quot;http://www.tallstoriesbookshop.com/&quot;&gt;Tall  Stories&lt;/a&gt;  Price : R 150.00&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;b style=&quot;color: rgb(153, 153, 0);&quot;&gt;Richard
 Dowden, one of the world's leading Africa correspondents  delivers, 
after a lifetime's close observation of the miraculous  continent, a 
landmark book on life and death in modern Africa.Dowden has  now, after 
35 years on the continent, written a memoiristic history of  its 
peoples' experiences in the wake of the European withdrawal and the  
superpowers' arrival. He has been present at each of the continent's  
major crises and writes illuminatingly about them, but he is as  
passionate about the warmth, wisdom and joy he has encountered in  
peacetime, and the diversity of habits&lt;/b&gt;&lt;b style=&quot;color: rgb(153, 153, 0);&quot;&gt;,
 attitudes and purposes to which  he has been Britain's best witness. 
His book is no less than a benchmark  publication on this most 
misunderstood and mishandled of continents.&lt;br&gt;&lt;/b&gt;&lt;a class=&quot;&quot; href=&quot;http://4.bp.blogspot.com/_vXaHMnpI-GY/TTBwFJsNNkI/AAAAAAAAASE/fMhWXi9D1Vw/s1600/chinua.jpg&quot;&gt;&lt;img class=&quot;yui-img&quot; style=&quot;float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 72px; height: 111px;&quot; src=&quot;http://4.bp.blogspot.com/_vXaHMnpI-GY/TTBwFJsNNkI/AAAAAAAAASE/fMhWXi9D1Vw/s200/chinua.jpg&quot; alt=&quot;&quot; id=&quot;BLOGGER_PHOTO_ID_5562068773605553730&quot; border=&quot;0&quot;&gt;&lt;/a&gt;&lt;br&gt;&lt;b style=&quot;color: rgb(153, 153, 0);&quot;&gt;&lt;span style=&quot;font-size: 78%;&quot;&gt;Image of Chinu&lt;/span&gt;&lt;/b&gt;&lt;b style=&quot;color: rgb(153, 153, 0);&quot;&gt;&lt;span style=&quot;font-size: 78%;&quot;&gt;a Achebe&lt;/span&gt;&lt;/b&gt;&lt;br&gt;&lt;b style=&quot;color: rgb(153, 153, 0);&quot;&gt;&lt;br&gt;&lt;span style=&quot;font-size: 78%;&quot;&gt;&lt;br&gt;&lt;/span&gt;&lt;/b&gt;</description>
            <pubDate>Fri, 14 Jan 2011 16:13:04 +0100</pubDate>
        </item>
        <item>
            <title>Tall  Stories - November  Newsletter.</title>
            <link>http://www.tallstoriesbookshop.com/tall-in-the-land-of-stories/tall-stories-november-newsletter-</link>
            <description>&lt;table id=&quot;layout&quot; border=&quot;0&quot; cellpadding=&quot;20&quot; cellspacing=&quot;0&quot; width=&quot;600&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td id=&quot;header&quot; style=&quot;background-color: rgb(239, 239, 239); border-top: 0px none; border-bottom: 0px none; color: rgb(40, 41, 19); font-size: 16px; font-family: Georgia; font-weight: normal; text-align: left;&quot;&gt;&lt;div class=&quot;content&quot; valign=&quot;top&quot; style=&quot;font-size: 13px; line-height: 1.4em; color: rgb(68, 68, 68);&quot; align=&quot;left&quot;&gt;&lt;div&gt;
	&lt;h1 class=&quot;main-heading&quot; style=&quot;color: rgb(113, 133, 143); font-family: Baskerville,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 110px; font-style: italic; font-weight: normal; letter-spacing: -2px; margin: 0pt; padding: 0pt; text-transform: none; text-align: center;&quot;&gt;
		&lt;img class=&quot;yui-img&quot; alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/ice_cream_man_shop_picture_60.1.jpg&quot; border=&quot;0&quot; height=&quot;271px&quot; width=&quot;362px&quot;&gt;&lt;/h1&gt;
	&lt;br&gt;
	&lt;br&gt;
	&lt;div style=&quot;text-align: center;&quot;&gt;
		&lt;span style=&quot;color: rgb(102, 0, 0);&quot;&gt;&lt;span style=&quot;font-size: 64px;&quot;&gt;&lt;span style=&quot;font-family: lucida sans unicode,lucida grande,sans-serif;&quot;&gt;Tall&amp;nbsp; Stories&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br&gt;
		&lt;br&gt;
		&amp;nbsp;&lt;/div&gt;
	&lt;div style=&quot;text-align: center;&quot;&gt;
		&lt;span style=&quot;color: rgb(102, 0, 0);&quot;&gt;____________________________________________&lt;/span&gt;&lt;/div&gt;
	&lt;h4 class=&quot;sub-heading&quot; style=&quot;color: rgb(140, 200, 173); font-family: Baskerville,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 14px; font-style: normal; font-weight: bold; letter-spacing: 1px; margin: 0pt; padding: 0pt; text-transform: uppercase; text-align: center;&quot;&gt;
		&lt;span style=&quot;color: rgb(102, 0, 0);&quot;&gt;• Fine&amp;nbsp; Books&amp;nbsp; for&amp;nbsp; Discerning&amp;nbsp; Readers •&lt;/span&gt;&lt;/h4&gt;
&lt;/div&gt;
&lt;table border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; width=&quot;600&quot;&gt;
	&lt;tbody&gt;
		&lt;tr&gt;
			&lt;td class=&quot;sectionBorder&quot; style=&quot;border-bottom: 3px dotted rgb(255, 255, 255); padding: 0px;&quot; width=&quot;500&quot;&gt;
				&amp;nbsp;&lt;/td&gt;
			&lt;td class=&quot;datestamp&quot; style=&quot;color: rgb(255, 255, 255); font-family: Baskerville,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 12px; font-style: italic; font-weight: bold; text-transform: lowercase;&quot; valign=&quot;bottom&quot; width=&quot;100&quot;&gt;
				&amp;nbsp;&lt;/td&gt;
		&lt;/tr&gt;
	&lt;/tbody&gt;
&lt;/table&gt;
&lt;h1 class=&quot;title tpl-content-highlight&quot; style=&quot;color: rgb(140, 200, 173); font-family: yui-tmp; font-size: 48px; font-style: italic; font-weight: normal; line-height: 100%; margin: 0pt; padding: 0pt; text-transform: none;&quot;&gt;
	&lt;span style=&quot;font-size: 29px; font-family: Baskerville,&amp;quot;Times New Roman&amp;quot;,Times,serif; color: rgb(140, 200, 173);&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;&lt;span style=&quot;font-size: 28px; color: rgb(128, 0, 0);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;And&amp;nbsp; we&amp;nbsp; are&amp;nbsp; back!&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/h1&gt;&lt;br&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;span style=&quot;color: rgb(105, 105, 105);&quot;&gt;&lt;span style=&quot;font-family: trebuchet ms,helvetica,sans-serif;&quot;&gt;After an absence of a year, just
 one second before the tidal wave of despair engulfed you, just a breath
 before the last shred of hope curled up and died, a heartbeat before 
giving up and submiting to the horror of SABC tv, the Tall Stories 
Newsletter arrives. After a long silence due in part to aliens, 
vampires, sulphur pits and badly adjusted underwear, it returns. Huzzah,
 and hark the trumpets and the angelic choirs.&lt;br&gt;
During said long silence, many things happened. Many did not, but that's another story.&lt;br&gt;
Those of you who regularly attend the shop will have met the newest 
bookdealer. A ferocious(ly cute) cat called Agatha-Panther, she has been
 hard at work helping us in the shop by being nice to customers, 
demanding food and attention, and sitting in the windowsill, staring at 
the passing parade.&lt;br&gt;
She arrived as a small bundle of kitten fur, and has grown into a 
seasoned and well-travelled book cat, handsome to behold and regal in 
her acceptance of the adoration in which she is held by all.&lt;/span&gt;&lt;/span&gt;&lt;br&gt;
&lt;/span&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
	&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;img class=&quot;yui-img&quot; alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/Agatha_panther_working_hard_on_the_SABDA_documents.jpg&quot; border=&quot;0&quot; height=&quot;200px&quot; width=&quot;267px&quot;&gt; &lt;img class=&quot;yui-img&quot; alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/AG_desk.jpg&quot; border=&quot;0&quot; height=&quot;175px&quot; width=&quot;234px&quot;&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br&gt;
&lt;span style=&quot;font-family: trebuchet ms,helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: rgb(105, 105, 105);&quot;&gt;&lt;span style=&quot;font-size: 12px;&quot;&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;We were also pleased to witness Mario Vargas Llosa, a long favourite author, be awarded the &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 12px;&quot;&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;a class=&quot;&quot; href=&quot;http://nobelprize.org/nobel_prizes/literature/laureates/&quot; style=&quot;color: rgb(128, 0, 0); text-decoration: underline; font-weight: normal;&quot;&gt;&lt;span style=&quot;color: rgb(105, 105, 105);&quot;&gt;Nobel Prize for Literature&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: rgb(105, 105, 105);&quot;&gt;&lt;span style=&quot;font-size: 12px;&quot;&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;. For an interesting read and some background on this author, go to&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 12px;&quot;&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;:&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 12px;&quot;&gt;&lt;a class=&quot;&quot; href=&quot;http://bit.ly/cwJrXd&quot; style=&quot;color: rgb(229, 132, 42); font-style: normal; font-weight: bold; text-decoration: underline;&quot;&gt;&lt;span style=&quot;color: rgb(105, 105, 105);&quot;&gt;http://bit.ly/cwJrXd&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
	&lt;img class=&quot;yui-img&quot; alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/250px_Mario_Vargas_Llosa__2010_.1.jpg&quot; border=&quot;0&quot; height=&quot;192px&quot; width=&quot;250px&quot;&gt;&lt;br&gt;
	&amp;nbsp;&lt;/div&gt;
&lt;span style=&quot;color: rgb(105, 105, 105);&quot;&gt;&lt;span style=&quot;font-family: trebuchet ms,helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;We
 were also pleased to learn that Bill Bryson is back in the United 
Kingdom, and has been appointed vice-chancellor of Durham University. An
 entertaining interview with him is found here:&lt;span style=&quot;font-size: 12px;&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 12px;&quot;&gt;&lt;span style=&quot;font-family: trebuchet ms,helvetica,sans-serif;&quot;&gt;&lt;a class=&quot;&quot; href=&quot;http://www.newstatesman.com/books/2010/10/interview-beck-terrifying&quot; style=&quot;color: rgb(229, 132, 42); font-style: normal; font-weight: bold; text-decoration: underline;&quot;&gt;&lt;span style=&quot;color: rgb(105, 105, 105);&quot;&gt;http://bit.ly/bKHWDL&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
	&lt;img class=&quot;yui-img&quot; alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/bryson.jpg&quot; border=&quot;0&quot; height=&quot;156px&quot; width=&quot;239px&quot;&gt;&lt;/div&gt;
&lt;br&gt;
&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;span style=&quot;color: rgb(105, 105, 105);&quot;&gt;&lt;span style=&quot;font-family: trebuchet ms,helvetica,sans-serif;&quot;&gt;It
 has been fifty years since the landmark Lady Chatterly's Lover judgment
 in Penguin Books' favour. For legal and literary interest, read this: &lt;/span&gt;&lt;/span&gt;&lt;a class=&quot;&quot; href=&quot;http://bit.ly/8Y1U2X&quot; style=&quot;color: rgb(229, 132, 42); font-style: normal; font-weight: bold; text-decoration: underline;&quot;&gt;&lt;span style=&quot;font-size: 12px;&quot;&gt;&lt;span style=&quot;color: rgb(105, 105, 105);&quot;&gt;&lt;span style=&quot;font-family: trebuchet ms,helvetica,sans-serif;&quot;&gt;http://bit.ly/8Y1U2X&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;br&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
	&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;a class=&quot;&quot; href=&quot;http://bit.ly/8Y1U2X&quot; style=&quot;color: rgb(229, 132, 42); font-style: normal; font-weight: bold; text-decoration: underline;&quot;&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;&lt;img class=&quot;yui-img&quot; alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/lady_chatterley.jpg&quot; border=&quot;0&quot; height=&quot;200px&quot; width=&quot;124px&quot;&gt;&lt;br&gt;
	&lt;br&gt;
	&lt;br&gt;
	&lt;span style=&quot;font-size: 18px;&quot;&gt;&lt;span style=&quot;font-family: trebuchet ms,helvetica,sans-serif;&quot;&gt;Collections&amp;nbsp; of&amp;nbsp; Books&amp;nbsp; for&amp;nbsp; Sale :&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;br&gt;
	&lt;br&gt;
	&lt;p style=&quot;margin: 0pt; padding: 0pt;&quot;&gt;
		&lt;span style=&quot;font-family: trebuchet ms,helvetica,sans-serif;&quot;&gt;We have 
two collections of books that we are going to be selling by 
themselves,in otherwords,the collections will not be broken&amp;nbsp; up.&lt;/span&gt;&lt;/p&gt;
	&lt;div&gt;
		&lt;span style=&quot;font-family: trebuchet ms,helvetica,sans-serif;&quot;&gt;The first comprises approximately 129 titles, all about &lt;b&gt;Aviation&lt;/b&gt;. From &lt;i&gt;Vlamgat&lt;/i&gt; to &lt;i&gt;Aircraft of the S.A.A.F.&lt;/i&gt; via &lt;i&gt;Air War Flanders 1918&lt;/i&gt; to&lt;i&gt; I Flew For the Fuhrer&lt;/i&gt;.The second collection is comprised of around 96 titles, all about &lt;b&gt;Rhodesia and Zimbabwe&lt;/b&gt;. From &lt;i&gt;Contact&lt;/i&gt; to &lt;i&gt;When a Crocodile Eats the Sun&lt;/i&gt; via &lt;i&gt;Troopiesongs&lt;/i&gt; and &lt;i&gt;Rhodesia Before 1920&lt;/i&gt;.If you are interested in either set, either contact us in the shop or at :&lt;br&gt;
		&lt;b&gt;tallstories@megaweb.co.za&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
                        &lt;/td&gt;
                    &lt;/tr&gt;
                    
                    &lt;tr&gt;
                        &lt;td id=&quot;content&quot; style=&quot;font-size: 13px; background-color: rgb(255, 246, 210); color: rgb(68, 68, 68); font-style: normal; font-weight: normal; font-family: Helvetica; line-height: 1.4em; padding: 0pt; vertical-align: top;&quot; align=&quot;center&quot;&gt;
                            &lt;table id=&quot;top_content&quot; style=&quot;padding-bottom: 0px;&quot; border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; width=&quot;560&quot;&gt;
                                &lt;tbody&gt;&lt;tr&gt;
                                    &lt;td class=&quot;content threecol first&quot; id=&quot;&quot; style=&quot;font-size: 11px; line-height: 1.4em; color: rgb(68, 68, 68); width: 25%; padding-right: 20px; padding-left: 0pt; padding-top: 20px; border-right: 1px solid rgb(186, 161, 123);&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;h3 class=&quot;sidebarTitle&quot; style=&quot;text-align: center; color: rgb(113, 133, 143); font-family: Garamond,&amp;quot;Hoefler Text&amp;quot;,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 40px; font-style: italic; font-weight: normal; margin: 0px; padding: 0px; text-transform: none;&quot;&gt;
	&lt;span style=&quot;font-size: 18px;&quot;&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;&lt;b&gt;Our Unused&amp;nbsp; Book Specials&amp;nbsp; for&amp;nbsp; this&amp;nbsp; Month.&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h3&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
	*whilst&amp;nbsp; stocks&amp;nbsp; last.&lt;br&gt;
	&amp;nbsp;&lt;/div&gt;
&lt;h2 class=&quot;subTitle&quot; style=&quot;text-align: center; color: rgb(140, 200, 173); font-family: Baskerville,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 32px; font-style: italic; font-weight: normal; margin: 0pt; padding: 0pt; text-transform: none;&quot;&gt;
	&lt;span style=&quot;font-size: 18px;&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: rgb(102, 102, 102);&quot;&gt;&lt;span class=&quot;detailprodname&quot;&gt;Mr. and Miss Anonymous&lt;/span&gt;.&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;h2 class=&quot;subTitle&quot; style=&quot;text-align: center; color: rgb(140, 200, 173); font-family: Baskerville,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 32px; font-style: italic; font-weight: normal; margin: 0pt; padding: 0pt; text-transform: none;&quot;&gt;
	&lt;img class=&quot;yui-img&quot; alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/fern.jpg&quot; style=&quot;border: 6px solid rgb(151, 178, 160); margin: 10px;&quot; border=&quot;0&quot; height=&quot;200px&quot; width=&quot;138px&quot;&gt;&lt;/h2&gt;
&lt;div style=&quot;text-align: right;&quot;&gt;
	&lt;span style=&quot;color: rgb(105, 105, 105);&quot;&gt;&lt;span style=&quot;font-family: trebuchet ms,helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 12px;&quot;&gt;College
 senior Lily Madison is on her own and desperate to pay for her last 
semester of school. With nowhere to turn, she makes the difficult 
decision to donate her eggs to a fertility clinic. Sam Parker is also a 
penniless student who supplements his tuition money by visiting a sperm 
bank. One day, Lily and Sam meet at the clinic and talk about their 
secret. They agree that the clinic gives them an odd feeling, as if all 
is not as it seems. Despite their obvious attraction, Lily and Sam go 
their separate ways. Twenty years have passed and Lily often wonders if 
she has a child somewhere in the world. She also thinks a lot about Sam.
 Now a wealthy entrepreneur, Sam never forgot Lily either, and when he 
sees her in an airport one day, he falls for her all over again. But 
while they enjoy their unlikely reunion, a story on the news has them 
riveted. Two teenage boys are missing and their disappearance may be 
linked to the fertility clinic Sam and Lily visited in college. In a 
shocking twist, one of the boys looks exactly like Sam. Lily and Sam are
 now determined to find out what really went on at the clinic all those 
years ago. When the whole story comes out, the truth will be more than 
they bargained for. But they will discover that letting go of their 
secrets from the past is the best way to build a future worth fighting 
for...&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
	&lt;span style=&quot;font-family: trebuchet ms,helvetica,sans-serif;&quot;&gt;&lt;b&gt;Published&amp;nbsp; Price : R185.00&lt;/b&gt;&lt;br&gt;
	&lt;br&gt;
	&lt;b&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;&lt;span style=&quot;font-size: 18px;&quot;&gt;Tall&amp;nbsp; Stories&amp;nbsp; Price :&lt;br&gt;
	R 95.00&lt;br&gt;
	&lt;img class=&quot;yui-img&quot; alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/michaels_fern.jpg&quot; border=&quot;0&quot; height=&quot;216px&quot; width=&quot;172px&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;br&gt;
	&amp;nbsp;&lt;/div&gt;
&lt;div&gt;
	&lt;span style=&quot;font-size: 12px;&quot;&gt;&lt;span style=&quot;font-family: trebuchet ms,helvetica,sans-serif;&quot;&gt;&lt;b&gt;Fern Michaels&lt;/b&gt; (born &lt;b&gt;Mary Ruth Kuczkir&lt;/b&gt;)
 is an American author of romance and thriller novels, including nearly 
50 best selling books with more than 70 million copies in print. &lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/td&gt;
                                    &lt;td class=&quot;content threecol&quot; style=&quot;font-size: 11px; line-height: 1.4em; color: rgb(68, 68, 68); width: 28%; padding-right: 20px; padding-left: 20px; padding-top: 20px; border-right: 1px solid rgb(186, 161, 123);&quot; align=&quot;left&quot; valign=&quot;top&quot;&gt;&lt;h3 class=&quot;sidebarTitle&quot; style=&quot;text-align: center; color: rgb(113, 133, 143); font-family: Garamond,&amp;quot;Hoefler Text&amp;quot;,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 40px; font-style: italic; font-weight: normal; margin: 0px; padding: 0px; text-transform: none;&quot;&gt;
	&lt;span style=&quot;font-size: 18px;&quot;&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;&lt;b&gt;Our Unused&amp;nbsp; Book Specials&amp;nbsp; for&amp;nbsp; this&amp;nbsp; Month.&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h3&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;
	*whilst&amp;nbsp; stocks&amp;nbsp; last.&lt;br&gt;
	&amp;nbsp;&lt;/div&gt;
&lt;h2 class=&quot;subTitle&quot; style=&quot;color: rgb(140, 200, 173); font-family: Baskerville,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 32px; font-style: italic; font-weight: normal; margin: 0pt; padding: 0pt; text-transform: none; text-align: center;&quot;&gt;
	&lt;span style=&quot;font-size: 18px;&quot;&gt;&lt;span style=&quot;color: rgb(102, 102, 102);&quot;&gt;&lt;b&gt;&lt;span class=&quot;detailprodname&quot;&gt;Samurai Swords&lt;/span&gt; &lt;span class=&quot;detailprodsubtitle&quot;&gt; - A Collector's Guide to Japanese Swords&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;img class=&quot;yui-img&quot; alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/sword.jpg&quot; style=&quot;border: 6px solid rgb(151, 178, 160); margin: 10px;&quot; border=&quot;0&quot; height=&quot;200px&quot; width=&quot;155px&quot;&gt;
&lt;div&gt;
	&lt;span style=&quot;color: rgb(105, 105, 105);&quot;&gt;&lt;span style=&quot;font-family: trebuchet ms,helvetica,sans-serif;&quot;&gt;For
 700 years Japanese civilization was dominated by a single warrior 
caste. This project looks at the weaponry &amp;amp; clothing of Samurai men 
and women over the centuries.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;p&gt;
	&lt;span style=&quot;color: rgb(105, 105, 105);&quot;&gt;&lt;span style=&quot;font-family: trebuchet ms,helvetica,sans-serif;&quot;&gt;Fascinating
 history, detailed technical information, advice on collecting and 
preservation - all in a single volume. The pages are beautifully 
illustrated with dynamic paintings, specially taken photographs, 
detailed diagrams and maps&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: center;&quot;&gt;
	&lt;b&gt;&lt;span style=&quot;font-size: 18px;&quot;&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;&lt;span style=&quot;font-family: lucida sans unicode,lucida grande,sans-serif;&quot;&gt;Tall&amp;nbsp; Stories&amp;nbsp; Price : R280.00&lt;br&gt;
	&lt;br&gt;
	&lt;img class=&quot;yui-img&quot; alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/Samurai_hand_colored_c1890.jpg&quot; border=&quot;0&quot; height=&quot;276px&quot; width=&quot;220px&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br&gt;
	&lt;br&gt;
	Hand colored Albumen print of a Samurai circa 1890 (photograph coutesy Wikipedia)&lt;br&gt;
	&lt;img class=&quot;yui-img&quot; alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/Samurai.jpg&quot; border=&quot;0&quot; height=&quot;332px&quot; width=&quot;250px&quot;&gt;&lt;br&gt;
	&lt;br&gt;
	Samurai in armour, 1860s. &lt;span class=&quot;mw-redirect&quot;&gt;Hand-coloured&lt;/span&gt; photograph by Felice Beato&lt;br&gt;
	(photograph coutesy Wikipedia)&lt;br&gt;
	&lt;b&gt;&lt;span style=&quot;font-size: 18px;&quot;&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;&lt;span style=&quot;font-family: lucida sans unicode,lucida grande,sans-serif;&quot;&gt;&lt;img class=&quot;yui-img&quot; alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/katana.jpg&quot; border=&quot;0&quot; height=&quot;150px&quot; width=&quot;118px&quot;&gt;&lt;br&gt;
	&lt;br&gt;
	&lt;img class=&quot;yui-img&quot; alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/Koshirae.jpg&quot; style=&quot;width: 220px; height: 39px;&quot; border=&quot;0&quot;&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br&gt;
	A&amp;nbsp; Sammurai katana in&amp;nbsp; Koshirae&lt;br&gt;
	(photograph coutesy Wikipedia)&lt;/p&gt;
&lt;/td&gt;
                                    &lt;td class=&quot;content threecol last&quot; style=&quot;font-size: 11px; line-height: 1.4em; color: rgb(68, 68, 68); width: 28%; padding-right: 15px; padding-left: 20px; padding-top: 20px; margin-right: 15px; border: 0pt none;&quot; align=&quot;center&quot; valign=&quot;middle&quot;&gt;&lt;table style=&quot;width: 233px; height: 1341px;&quot; border=&quot;0&quot; cellpadding=&quot;10&quot; cellspacing=&quot;0&quot;&gt;
	&lt;tbody&gt;
		&lt;tr&gt;
			&lt;td align=&quot;center&quot;&gt;
				&lt;img class=&quot;yui-img&quot; src=&quot;http://gallery.mailchimp.com/0d61bb2ec9002f0e9872b8c36/images/sidebar_top.png&quot;&gt;&lt;/td&gt;
		&lt;/tr&gt;
		&lt;tr&gt;
			&lt;td align=&quot;center&quot;&gt;
				&lt;h3 class=&quot;sidebarTitle&quot; style=&quot;text-align: center; color: rgb(113, 133, 143); font-family: yui-tmp; font-size: 40px; font-style: italic; font-weight: normal; margin: 0px; padding: 0px; text-transform: none;&quot;&gt;
					&lt;span style=&quot;font-size: 17px; font-family: Baskerville,&amp;quot;Times New Roman&amp;quot;,Times,serif; color: rgb(140, 200, 173);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;&lt;span style=&quot;font-size: 24px; color: rgb(140, 200, 173);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;This&amp;nbsp; Months&amp;nbsp; Feature&lt;/span&gt;&lt;span style=&quot;font-size: 24px; color: rgb(140, 200, 173);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;d&lt;/span&gt;&amp;nbsp; &lt;span style=&quot;font-size: 24px; color: rgb(140, 200, 173);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;Book&lt;/span&gt;&lt;/span&gt;&lt;/h3&gt;&lt;br&gt;&lt;br&gt;
				&lt;div style=&quot;text-align: center;&quot;&gt;
					&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;*&lt;/span&gt;&lt;span style=&quot;font-size: 18px;&quot;&gt;&lt;a class=&quot;&quot; href=&quot;http://bookbase.com/sabda/delivery/enquiry?id=1087&amp;amp;dealerId=1253&amp;amp;currencyId=1&quot; style=&quot;color: rgb(229, 132, 42); font-style: normal; font-weight: bold; text-decoration: underline;&quot; target=&quot;enquiry&quot;&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt; Beyond the Light Barrier&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt; *&lt;/span&gt;&lt;br&gt;
					&lt;br&gt;
					&lt;img class=&quot;yui-img&quot; alt=&quot;&quot; src=&quot;http://gallery.mailchimp.com/34df5263c51a0e524fd147683/images/beyond_the_light_barrier.jpg&quot; border=&quot;0&quot; height=&quot;150px&quot; width=&quot;98px&quot;&gt;&lt;br&gt;
					&lt;div&gt;
						&amp;nbsp;&lt;/div&gt;
					&lt;div align=&quot;left&quot;&gt;
						&lt;span style=&quot;font-size: 12px;&quot;&gt;&lt;span style=&quot;font-family: trebuchet ms,helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;color: rgb(105, 105, 105);&quot;&gt;Originally published in 1977 in Germany, the first two editions were sold out within weeks. This is the autobiogrpahy of &lt;/span&gt;&lt;a class=&quot;&quot; href=&quot;http://en.wikipedia.org/wiki/Elizabeth_Klarer&quot; style=&quot;color: rgb(229, 132, 42); font-style: normal; font-weight: bold; text-decoration: underline;&quot;&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;Elizabeth Klarer&lt;/span&gt;&lt;/a&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;, &lt;/span&gt;&lt;span style=&quot;color: rgb(105, 105, 105);&quot;&gt;a Cambridge educated meterologist. who believed that she had had an affair (which resulted in a child) with an extraterrestrial&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: rgb(105, 105, 105);&quot;&gt;&lt;span&gt;&lt;span style=&quot;font-family: trebuchet ms,helvetica,sans-serif;&quot;&gt;
 being. It deals primarily with this affair with Akon, a male 
astrophysicist living on Meton, one of the planets of Proxima Centaur, 
which is apparently Earths' closest stellar neighbour, at a distance of 
4.2 light years away from us. According to the author, she was taken, 
via spacecraft to Meton, where she lived with Akon and his family for 
four months. She apparently gave birth to their son whilst on Meton. 
Akon apparently continued to visit Klarer until 1963, when his work in 
this part of the galaxy was completed. Akon explained to Ms. Klarer the 
workings of the light-propulsion system used in his spacecraft. She in 
turn conveyed this information to the U. S. National Aeronautical and 
Space Administration as well as the S. A. Air Force authorities. This 
information is also documented in the book.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br&gt;
						&lt;br&gt;
						&lt;span style=&quot;font-family: trebuchet ms,helvetica,sans-serif;&quot;&gt; I&lt;span style=&quot;color: rgb(105, 105, 105);&quot;&gt;mprint: South Africa, Howard Timmins, 1980&lt;br&gt;
						Edition: First South Africa Edition.&lt;br&gt;
						Binding: Hardback , with Dustjacket&lt;br&gt;
						Book Condition: Very Good.&amp;nbsp; Jacket: Very Good&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
						&lt;div align=&quot;left&quot;&gt;
							&lt;span style=&quot;color: rgb(105, 105, 105);&quot;&gt;&lt;span style=&quot;font-family: trebuchet ms,helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 12px;&quot;&gt;Binding: Blue Boards.Octavo.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
						&lt;span style=&quot;color: rgb(105, 105, 105);&quot;&gt;&lt;span style=&quot;font-family: trebuchet ms,helvetica,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 12px;&quot;&gt;191
 pp. Illustrated with black and white photographs. Slight spinal lean. 
Ink name of a previous owner on the front free end paper. Base of the 
boards slightly rubbed. Small chips in the top edge of the rear panel of
 the dust-jacket. Flaps of the dust-jacket creased. Closed tear in the 
rear panel of the dust-jacket (25mm). Slight wear to all edges of the 
dust-jacket&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
					&lt;div class=&quot;book-desc&quot;&gt;
						&lt;br&gt;
						&lt;b&gt;&lt;span style=&quot;color: rgb(128, 0, 0);&quot;&gt;&lt;span style=&quot;font-family: lucida sans unicode,lucida grande,sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 24px;&quot;&gt;R 650.00&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;br&gt;
						&lt;span style=&quot;font-family: lucida sans unicode,lucida grande,sans-serif;&quot;&gt;&lt;a class=&quot;&quot; href=&quot;http://www.sabda.co.za/tallstories.htm&quot; style=&quot;color: rgb(229, 132, 42); font-style: normal; font-weight: bold; text-decoration: underline;&quot;&gt;Buy Now &lt;/a&gt;&lt;/span&gt;&lt;br&gt;
						&amp;nbsp;&lt;/div&gt;
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				&lt;h3 class=&quot;sidebarTitle&quot; style=&quot;text-align: center; color: rgb(113, 133, 143); font-family: Garamond,&amp;quot;Hoefler Text&amp;quot;,&amp;quot;Times New Roman&amp;quot;,Times,serif; font-size: 40px; font-style: italic; font-weight: normal; margin: 0px; padding: 0px; text-transform: none;&quot;&gt;
					&amp;amp;&lt;/h3&gt;
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                        &lt;td id=&quot;footer&quot; style=&quot;background-color: rgb(192, 197, 139); padding: 20px; font-size: 10px; color: rgb(238, 238, 238); line-height: 100%; font-family: Verdana; text-align: center;&quot;&gt;&lt;a class=&quot;&quot; href=&quot;http://www.mailchimp.com/monkey-rewards/?aid=34df5263c51a0e524fd147683&amp;amp;afl=1&quot;&gt;&lt;br&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</description>
            <pubDate>Fri, 19 Nov 2010 15:32:30 +0100</pubDate>
        </item>
        <item>
            <title>Stock Clearance.</title>
            <link>http://www.tallstoriesbookshop.com/tall-in-the-land-of-stories/stock-clearance-</link>
            <description>&lt;b style=&quot;color: rgb(127, 127, 0);&quot;&gt;&lt;span style=&quot;color: rgb(127, 127, 0);&quot;&gt;Hello&amp;nbsp; Folks !&lt;/span&gt;&lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(127, 127, 0);&quot;&gt;We&amp;nbsp; are&amp;nbsp; having&amp;nbsp; a&amp;nbsp; bit&amp;nbsp; of&amp;nbsp; a&amp;nbsp; stock&amp;nbsp; clearance&amp;nbsp; sale&amp;nbsp; which&amp;nbsp; will&amp;nbsp; last&amp;nbsp; until&amp;nbsp; Sunday&amp;nbsp; 21st&amp;nbsp; November, 17 : 00,or, whilst&amp;nbsp; stock&amp;nbsp; lasts.&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(127, 127, 0);&quot;&gt;Titles&amp;nbsp; on&amp;nbsp; Sale&amp;nbsp; include :&lt;/span&gt;&lt;br&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;img class=&quot;yui-img&quot; src=&quot;http://www.tallstoriesbookshop.com/resources/Nadel.jpg&quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;br&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;i style=&quot;color: rgb(82, 83, 48);&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;Pretty Dead Things&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;Barbara Nadel&lt;/span&gt;&lt;br&gt;
		
		&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;
			Paperback, 373 pages, August 2008
			&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;
			
				Published by Headline Book Publishing&lt;/span&gt;&lt;br&gt;&amp;nbsp;&lt;br&gt;&lt;span style=&quot;color: rgb(127, 127, 0);&quot;&gt;When Emine Aksu, the flamboyant wife of an Istanbul style guru,
suddenly goes missing, Inspector Cetin Ikmen's investigation leads
him deep into her strange and colourful past. Emine was a hippie
when she was younger, who wholeheartedly enjoyed the liberated
lifestyle that swept across Istanbul in the sixties. Her husband
suspects that she was visiting an old friend at the time of her
disappearance. Meanwhile, Inspector Mehmet Suleyman is called to a
terrifying scene at the art deco Kamondo Stairs in the old banking
district of Karakoy. The skeleton of a woman has been discovered in
one of the large plant containers. Could these two bizarre
incidents be linked?



	
	
	





	
	
		
	

&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;b style=&quot;color: rgb(82, 83, 48);&quot;&gt;Published Price :&lt;/b&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt; R82.00&lt;/span&gt;&lt;br&gt;&lt;b style=&quot;color: rgb(82, 83, 48);&quot;&gt;Now&amp;nbsp; :&lt;/b&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt; R 30.00&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;img class=&quot;yui-img&quot; src=&quot;http://www.tallstoriesbookshop.com/resources/Memorandum.jpg&quot;&gt;&lt;br&gt;&lt;br&gt;&lt;b style=&quot;color: rgb(82, 83, 48);&quot;&gt;&lt;i style=&quot;color: rgb(82, 83, 48);&quot;&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;Memorandum&lt;/span&gt;
		
		
			&lt;/i&gt;&lt;/b&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;&lt;b&gt;&lt;i&gt; - A Story with Pictures&lt;/i&gt;&lt;/b&gt; &lt;/span&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;&lt;br&gt;&lt;br&gt;Marlene Van Niekerk&lt;/span&gt;&lt;br&gt;
		
		&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;
			Hardcover, 136 pages, November 2006
			&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;
			
				Published by Human &amp;amp; Rousseau&lt;/span&gt;&lt;br&gt;&lt;span class=&quot;biblio&quot;&gt;&lt;/span&gt;&lt;br&gt;&lt;span class=&quot;biblio&quot;&gt;&lt;/span&gt;&lt;span style=&quot;color: rgb(127, 127, 0);&quot;&gt;In this title about a hospital experience the text and visual
images offer parallel narratives that resonate poignantly with each
other. Adriaan van Zyl's series of more than 20 paintings portrays
a patient's experience from waiting room to ward giving a quietly
disturbing view of the soullessness of hospitals in general.
Marlene van Niekerk's accompanying story is a narrative by JP Wiid,
a lonely man who is diagnosed with cancer of the liver just before
his retirement. The night before a scheduled operation he starts
writing a &quot;memorandum&quot; about an experience he had during his first
stay at the hospital - sharing a ward with two enigmatic men in a
state of postnarcotic euphoria, he overheard their strange
conversation, one which was to have a profound effect on his life.
He writes how, in the ensuing four months, he becomes a regular
visitor to the library, anxious to learn more about the diverse
concepts he had been exposed to for the first time. Everything new
which Wiid learns about the world comforts him and helps him to
accept his fate. Most importantly he makes a friend for the first
time - an eccentric but very helpful librarian. While writing the
memorandum, Wiid makes a life-changing decision - not to have the
operation the next day. He chooses instead to make the rest of his
life worth living by filling it with knowledge about cultures,
structures, histories, literature and music. In the process he
discovers his true self - and his true vocation.



	
	
	





	
	
		
	

&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;b style=&quot;color: rgb(82, 83, 48);&quot;&gt;Published&amp;nbsp; Price :&lt;/b&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt; R300.00&lt;/span&gt;&lt;br&gt;&lt;b style=&quot;color: rgb(82, 83, 48);&quot;&gt;Now :&lt;/b&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt; R60.00&lt;/span&gt;&lt;/div&gt;&lt;table style=&quot;text-align: left; margin-left: auto; margin-right: auto;&quot; border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; width=&quot;100%&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;&lt;br&gt;&lt;/td&gt;
		&lt;td style=&quot;border-left: 5px none; border-right: 5px none;&quot; valign=&quot;top&quot;&gt;
			
				
					








	
	
		
		
		
	


	
	
		
	

&lt;table bgcolor=&quot;white&quot; border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; width=&quot;100%&quot;&gt;
&lt;tbody&gt;&lt;tr&gt;
	&lt;td colspan=&quot;2&quot; style=&quot;padding-bottom: 5px;&quot;&gt;
		&lt;span class=&quot;detailprodname&quot;&gt;&lt;/span&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;img class=&quot;yui-img&quot; src=&quot;http://www.tallstoriesbookshop.com/resources/Tariq.jpg&quot;&gt;&lt;br&gt;&lt;i style=&quot;color: rgb(82, 83, 48);&quot;&gt;&lt;b&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;The Duel&lt;/span&gt;
		
		
			&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt; - Pakistan on the Flight Path of American Power&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;Tariq Ali&lt;/span&gt;&lt;br&gt;
		
		&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;
			Hardcover, 304 pages, September 2008
			&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;
			
				Published by Simon &amp;amp; Schuster&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;
			
		&lt;/span&gt;
		
			
		





	
		
		
		
		
			&lt;/div&gt;&lt;table style=&quot;text-align: left; margin-left: auto; margin-right: auto;&quot; border=&quot;0&quot; cellpadding=&quot;2&quot; cellspacing=&quot;0&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style=&quot;white-space: nowrap; text-align: right; font-family: yui-tmp;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;color: rgb(127, 127, 0);&quot;&gt;Pakistan, the likely home of Osama Bin Laden and safe house for the
Taliban forces fighting NATO in Afghanistan, stands on the front
line of the war against terror. Yet, as recent events have shown,
this long-time ally of the West and recipient of $10 billion of
American aid in the past decade, is in deepening crisis. As
President Pervez Musharraf struggles, with ever-diminishing
success, to cling to power through states of emergency and
imprisonment of his opponents, a range of forces are attempting to
fill the vacuum that surrounds him: (before her death) Benazir
Bhutto and Nawaz Sharif, both previous presidents themselves and,
Ali, argues, more corrupt than Musharraf himself; a lawyers
movement that has taken to the streets demanding adherence to the
constitution and the rule of law; and the Islamists in Waziristan
and the North West Frontier whose increasingly effective assaults
on the Pakistan army threaten to tip the country into full-blown
civil war.With customary verve and acuity, Ali parses the prospects
for these contending groups, drawing on extensive first-hand
research and personal knowledge of many of the key players involved
to assess the causes and consequences of Pakistan's rapid spiral
into political chaos.



	
	
	





	
	
		
	

&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;&lt;b&gt;Published&amp;nbsp; Price :&lt;/b&gt; R255.00&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;&lt;b&gt;Now&amp;nbsp; &lt;/b&gt;: R60.00&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;img class=&quot;yui-img&quot; src=&quot;http://www.tallstoriesbookshop.com/resources/stockwin.jpg&quot;&gt;&lt;br&gt;&lt;br&gt;&lt;i style=&quot;color: rgb(82, 83, 48);&quot;&gt;&lt;b&gt;Kydd : &lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;The Admiral's Daughter&lt;/span&gt;&lt;/b&gt;&lt;/i&gt;
		
		
		
		
		
			&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;&lt;/span&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;Julian Stockwin&lt;/span&gt;&lt;br&gt;
		
		&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;
			Paperback - Trade, 324 pages, October 2007
			&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;
			
				Published by Hodder&amp;nbsp; &amp;amp;&amp;nbsp; Stough&lt;/span&gt;ton&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(127, 127, 0);&quot;&gt;&lt;/span&gt;&lt;span style=&quot;color: rgb(127, 127, 0);&quot;&gt;In the eighth book of this popular series, Thomas Kydd and Nicholas
Renzi return to England in 1803 after tumultuous episodes on the
other side of the world to find England in peril of starvation and
bankruptcy. Kydd is placed back in command of his beloved vessel,
&quot;Teazer,&quot; but he barely has time to prep her for the sea when he is
sent on an urgent mission. Smugglers, enemy privateers, and
treacherous sea conditions await Kydd on his journey to northern
France on the eve of war, but equally worrisome events are
occurring ashore. A growing attachment to the admiral's daughter
curbs Kydd's blissful reunion with &quot;Teazer&quot; and he is forced to
make a terrible decision that may cause the end of his friendship
with Renzi--or the end of his naval career.



	
	
	





	
	
		
	

&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;&lt;b&gt;Published&amp;nbsp; Price&amp;nbsp; &lt;/b&gt;:&amp;nbsp; R 145.00&lt;/span&gt;&lt;br&gt;&lt;b&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;Now :&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt; &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;R 40.00&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;img class=&quot;yui-img&quot; src=&quot;http://www.tallstoriesbookshop.com/resources/patrick.jpg&quot;&gt;&lt;/div&gt;&lt;table style=&quot;text-align: left; margin-left: auto; margin-right: auto;&quot; border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; width=&quot;100%&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;&lt;br&gt;&lt;/td&gt;&lt;td style=&quot;border-left: 5px none; border-right: 5px none;&quot; valign=&quot;top&quot;&gt;&lt;table bgcolor=&quot;white&quot; border=&quot;0&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; width=&quot;100%&quot;&gt;&lt;tbody&gt;&lt;tr align=&quot;center&quot;&gt;&lt;td colspan=&quot;2&quot; style=&quot;padding-bottom: 5px;&quot;&gt;&lt;div style=&quot;font-family: yui-tmp;&quot;&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;&lt;/span&gt;
			
		
	
	
		
		
			&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;text-decoration: underline;&quot;&gt;&lt;i style=&quot;color: rgb(82, 83, 48);&quot;&gt;&lt;b&gt;Patrick&amp;nbsp; Parker's&amp;nbsp; Progress&lt;br&gt;(New&amp;nbsp; Edition)&lt;/b&gt;&lt;/i&gt;&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;Mavis Cheek&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;Paperback, 320&amp;nbsp; pages, March 2005&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;&amp;nbsp;Published by&amp;nbsp; Faber&amp;nbsp; &amp;amp;&amp;nbsp; Faber&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(127, 127, 0);&quot;&gt;Patrick Parker, child of bomb-devastated Coventry, adored and
encouraged by his mother, fulfils his dream destiny to be a great
architect and bridge builder. Audrey Wapshott, born at the same
time, feels her dream destiny is to become Patrick's wife. But
ambitious Patrick has other plans and Audrey, abandoned, is left to
follow her own, random path to self-fulfilment beginning with
Paris, and sinfulness, in the arms of a much older man. Mavis
Cheek's eleventh novel will delight her many fans with its
fast-paced, funny and insightful story of ambition, love and
revenge.



	
	
	





	
	
		
	

&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;&lt;b&gt;Published&amp;nbsp; Price :&lt;/b&gt; R 102.00&lt;/span&gt;&lt;br&gt;&lt;span style=&quot;color: rgb(82, 83, 48);&quot;&gt;&lt;b&gt;Now&amp;nbsp; :&lt;/b&gt; R25.00&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td style=&quot;vertical-align: top;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td style=&quot;vertical-align: top;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;span class=&quot;detailprodsubtitle&quot;&gt;&lt;br&gt;&lt;/span&gt;</description>
            <pubDate>Fri, 19 Nov 2010 10:40:27 +0100</pubDate>
        </item>
        <item>
            <title>Eco  in  the  darkness</title>
            <link>http://www.tallstoriesbookshop.com/tall-in-the-land-of-stories/eco-in-the-darkness</link>
            <description>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;font face=&quot;Calibri&quot;&gt;&lt;u&gt;&lt;i&gt;&lt;b&gt;&lt;big&gt;&lt;big&gt;Eco&amp;nbsp; in&amp;nbsp; the&amp;nbsp; Darkness&lt;/big&gt;&lt;/big&gt;&lt;/b&gt;&lt;/i&gt;&lt;/u&gt;&lt;/font&gt;&lt;/div&gt;&lt;h3 class=&quot;post-title entry-title&quot;&gt;
&lt;/h3&gt;
&lt;div class=&quot;post-header&quot;&gt;

&lt;/div&gt;

&lt;div class=&quot;post-body entry-content&quot;&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;o:officedocumentsettings&gt;   &lt;o:relyonvml/&gt;   &lt;o:allowpng/&gt;  &lt;/o:OfficeDocumentSettings&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:trackmoves/&gt;   &lt;w:trackformatting/&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:validateagainstschemas/&gt;   &lt;w:saveifxmlinvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;   &lt;w:ignoremixedcontent&gt;false&lt;/w:IgnoreMixedContent&gt;   &lt;w:alwaysshowplaceholdertext&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;   &lt;w:donotpromoteqf/&gt;   &lt;w:lidthemeother&gt;EN-GB&lt;/w:LidThemeOther&gt;   &lt;w:lidthemeasian&gt;X-NONE&lt;/w:LidThemeAsian&gt;   &lt;w:lidthemecomplexscript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;   &lt;w:compatibility&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:dontgrowautofit/&gt;    &lt;w:splitpgbreakandparamark/&gt;    &lt;w:dontvertaligncellwithsp/&gt;    &lt;w:dontbreakconstrainedforcedtables/&gt;    &lt;w:dontvertalignintxbx/&gt;    &lt;w:word11kerningpairs/&gt;    &lt;w:cachedcolbalance/&gt;   &lt;/w:Compatibility&gt;   &lt;m:mathpr&gt;    &lt;m:mathfont val=&quot;Cambria Math&quot;&gt;    &lt;m:brkbin val=&quot;before&quot;&gt;    &lt;m:brkbinsub val=&quot;--&gt;
    &lt;m:smallfrac val=&quot;off&quot;&gt;    &lt;m:dispdef&gt;    &lt;m:lmargin val=&quot;0&quot;&gt;    &lt;m:rmargin val=&quot;0&quot;&gt;    &lt;m:defjc val=&quot;centerGroup&quot;&gt;    &lt;m:wrapindent val=&quot;1440&quot;&gt;   
 &lt;m:intlim val=&quot;subSup&quot;&gt;    &lt;m:narylim val=&quot;undOvr&quot;&gt;   &lt;/m:narylim&gt;&lt;/m:intlim&gt;
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name=&quot;heading 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 7&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 8&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;9&quot; qformat=&quot;true&quot; name=&quot;heading 9&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 7&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 8&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; name=&quot;toc 9&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;35&quot; qformat=&quot;true&quot; name=&quot;caption&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;10&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Title&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;1&quot; name=&quot;Default Paragraph Font&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;11&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtitle&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;22&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Strong&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;20&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;59&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Table Grid&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Placeholder Text&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;1&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;No Spacing&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Revision&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;34&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;List Paragraph&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;29&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Quote&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;30&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Quote&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 1&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 1&quot;&gt; 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name=&quot;Medium Shading 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 2&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 3&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 4&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 5&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;60&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;61&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;62&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Light Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;63&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;64&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Shading 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;65&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;66&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium List 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;67&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 1 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;68&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 2 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;69&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Medium Grid 3 Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;70&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Dark List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;71&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Shading Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;72&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful List Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;73&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; name=&quot;Colorful Grid Accent 6&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;19&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;21&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Emphasis&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;31&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Subtle Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;32&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Intense Reference&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;33&quot; semihidden=&quot;false&quot; unhidewhenused=&quot;false&quot; qformat=&quot;true&quot; name=&quot;Book Title&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;37&quot; name=&quot;Bibliography&quot;&gt;   &lt;w:lsdexception locked=&quot;false&quot; priority=&quot;39&quot; qformat=&quot;true&quot; name=&quot;TOC Heading&quot;&gt;  &lt;/w:LatentStyles&gt; &lt;/xml&gt;&lt;![endif]--&gt;
  &lt;p style=&quot;font-family: yui-tmp;&quot;&gt;&lt;span style=&quot;color: rgb(127, 127, 0);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;Umberto Eco, he of 
inter alia The Name of the Rose, Foucault’s Pendulum, Travels in 
Hyper-Reality and How to Travel with a Salmon, is curating an exhibition
 of lists at the Louvre in Paris. What a splendid notion from a simply 
splendid person, a real-life, honest-to-goodness intellectual in a time 
of mental dwarves. &lt;p&gt;&lt;/p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style=&quot;font-family: yui-tmp;&quot;&gt;&lt;span style=&quot;color: rgb(127, 127, 0);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;Lists, he says, are the way humans construct order
 out of chaos. It is the way they make sense of a perplexing world and a
 method of understanding the inexplicability of life and other humans. &lt;p&gt;&lt;/p&gt;&lt;/span&gt;&lt;/p&gt;
  &lt;p style=&quot;font-family: yui-tmp;&quot;&gt;&lt;span style=&quot;color: rgb(127, 127, 0);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;I may be paraphrasing
 him a bit, just a smidgeon, but this would be my humble understanding 
of the great man’s thinking here. I cannot vouch for his thoughts on the
 missionary position, one-ply versus two-ply toilet paper (though any 
sane person would be able to deduce that with some clarity), David 
Icke’s sanity, or whether the moon ever feels lonely, but of this I am 
sure. Certainly lists are vitally important. &lt;span style=&quot;&quot;&gt; &lt;/span&gt;They
 are tools without which we are unable to make our way in the world. 
Indeed, not to murder other people it is necessary daily to draw up a 
list of reasons not to, not least of which would be lists of ways of 
getting rid of all the bodies, which is really rather tricky when you 
think about it. I have spent some time cogitating on same, and making 
lists which are promptly destroyed lest they fall into the hands of 
people who will fail to understand the true context and spirit in which 
they were made and report me to the authorities. So I have found that I 
cannot, for instance and strictly in context you understand, bury them 
in our garden – it’s too small for the number of victims, and our dog 
will dig them up. And I daresay there’s nothing quite as off-putting as 
relaxing with a nice cold beer of an evening only to find your quadruped
 best friend entering the house with someone’s foot in her mouth.&lt;span style=&quot;&quot;&gt;   &lt;/span&gt;&lt;p&gt;&lt;/p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style=&quot;font-family: yui-tmp;&quot;&gt;&lt;span style=&quot;color: rgb(127, 127, 0);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;As the electricity has just gone off (again) and 
the UPS is beeping at me while I hurriedly finish typing this, gnashing 
my teeth, I try to find the silver lining in this situation (it’s 
cheaper than taking Prozac). &lt;p&gt;&lt;/p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p style=&quot;font-family: yui-tmp;&quot;&gt;&lt;span style=&quot;color: rgb(127, 127, 0);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;(Ehm…&lt;span style=&quot;&quot;&gt;  &lt;/span&gt;er…&lt;span style=&quot;&quot;&gt;  &lt;/span&gt;ah… This may take quite a long time.) &lt;p&gt;&lt;/p&gt;&lt;/span&gt;&lt;/p&gt;
  &lt;p style=&quot;font-family: yui-tmp;&quot;&gt;&lt;span style=&quot;color: rgb(127, 127, 0);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;Oh yes, having a 
bookshop means never having to say: ‘Rats, I forgot to bring a book to 
work,’ when the power goes out.&lt;/span&gt;&lt;/p&gt;&lt;/m:defjc&gt;&lt;/m:rmargin&gt;&lt;/m:lmargin&gt;&lt;/m:dispdef&gt;&lt;/m:smallfrac&gt;&lt;/div&gt;</description>
            <pubDate>Sun, 28 Mar 2010 10:37:48 +0100</pubDate>
        </item>
        <item>
            <title>Reel  Ephemera</title>
            <link>http://www.tallstoriesbookshop.com/tall-in-the-land-of-stories/reel-ephemera</link>
            <description>&lt;P style=&quot;FONT-STYLE: normal; MARGIN-BOTTOM: 0in&quot; align=center&gt;&lt;FONT style=&quot;FONT-SIZE: 30px&quot;&gt;&lt;B&gt;Reel Ephemera&lt;/B&gt;&lt;/FONT&gt;&lt;/P&gt; 
&lt;P&gt;I have to confess, I am not fond of ephemera. This is not a a sentiment that the majority of my colleagues share. My feelings are not popular. However, every now and again, I come across an item which makes me pivot on my axis.&lt;BR&gt;&lt;BR&gt;According to Wikipedia, ephemera is defined as&lt;BR&gt;&quot;....transitory written and printed matter not intended to be retained or preserved. The word derives from the Greek, meaning things lasting no more than a day. Some collectible ephemera include advertising trade cards, airsickness bags [yes, airsickness bags this was news to me to, hopefully these are unused items, bearly touched by human hands and throats. Not even Marilyn Monroes' throat would make me feel less queasy about this issue], bookmarks, catalogues, greeting cards, letters, pamphlets, postcards, posters, prospectuses, newspapers, stock certificates, tickets and zines. Decks of personality identification playing cards from the war in Iraq are a recent example of ephemera items which are gaining in popularity with people who are interested in collecting such items.&lt;BR&gt;&lt;BR&gt;In library and information science, the term ephemera also describes the class of published single-sheet or single page documents which are meant to be thrown away after one use. This classification excludes simple letters and photographs with no printing on them, which are considered manuscripts or typescripts. Large academic and national libraries and museums may collect, organize, and preserve ephemera as history. A particularly large and important example of such an archive is the John Johnson Collection of Printed Ephemera at the &lt;A href=&quot;http://www.bodleian.ox.ac.uk/bodley&quot;&gt;&lt;FONT color=#0066cc&gt;Bodleian Library, Oxford.&quot;&lt;/FONT&gt;&lt;/A&gt;&lt;BR&gt;&lt;BR&gt;We have just been offered an unusual item and I have to say, that I am fascinated by it. I have been absorbed for the entire day, pouring over it and researching it.&lt;/P&gt; 
&lt;P style=&quot;MARGIN-BOTTOM: 0in&quot; align=center&gt;&lt;A name=BLOGGER_PHOTO_ID_5447738755645627010&gt;&lt;/A&gt;&lt;A href=&quot;http://3.bp.blogspot.com/_vXaHMnpI-GY/S5pBiO9i2oI/AAAAAAAAAOQ/Z421wXRvrRw/s1600-h/Film++album.jpg&quot;&gt;&lt;IMG class=yui-img border=0 name=graphics7 align=bottom src=&quot;http://3.bp.blogspot.com/_vXaHMnpI-GY/S5pBiO9i2oI/AAAAAAAAAOQ/Z421wXRvrRw/s200/Film++album.jpg&quot; width=200 height=131&gt;&lt;/A&gt;&lt;/P&gt; 
&lt;P&gt;Above is said item.&lt;BR&gt;Said item relates to the career of one Harry Curry. Mr. Curry appears to have had a rather enviable life. He was also a hoarder of note. The album contains a panorama of Harry's career, roughly between 1925 and 1939, from letters of acceptance into various positions for different film companies around the world including Paramount Pictures, Warner Bros. and Columbia Pictures, signed menu cards from events held by these companies&lt;I&gt;, &lt;/I&gt;letters received aboard the &lt;I&gt;White Star Line, &lt;/I&gt;a radiogram received aboard the &quot;&lt;I&gt;Samaria&lt;/I&gt;&quot;, &lt;A href=&quot;http://en.wikipedia.org/wiki/Cunard_White_Star_Line&quot;&gt;&lt;FONT color=#0066cc&gt;&lt;I&gt;Cunard White Star Line&lt;/I&gt;,&lt;/FONT&gt;&lt;/A&gt; telegrams received aboard the &lt;I&gt;SS &lt;A href=&quot;http://www.rampantscotland.com/know/blknow_mary.htm&quot;&gt;&lt;FONT color=#0066cc&gt;Queen Mary&lt;/FONT&gt;&lt;/A&gt;&lt;/I&gt;&lt;A href=&quot;http://www.rampantscotland.com/know/blknow_mary.htm&quot;&gt;&lt;FONT color=#0066cc&gt;,&lt;/FONT&gt;&lt;/A&gt; telegrams received from the &lt;A href=&quot;http://en.wikipedia.org/wiki/Union_Steam_Ship_Company&quot;&gt;&lt;I&gt;&lt;FONT color=#0066cc&gt;Union Steamship Company&lt;/FONT&gt;&lt;/I&gt;&lt;/A&gt;, airline tickets, telegrams received from the Western Union, newspaper clippings about his promotions and all sorts of other titbits. There is even a fold-out map pasted into the album, where he has outlined his journey aboard the T.S.S. “Themistocles”, from Melbourne to South Hampton, where he has had some of the crew members sign the map at the bottom. &lt;A href=&quot;http://1.bp.blogspot.com/_vXaHMnpI-GY/S5p2cnZ6JTI/AAAAAAAAAPo/sX4AOpavB9w/s1600-h/map.jpg&quot;&gt;&lt;IMG class=yui-img border=0 name=graphics17 align=bottom src=&quot;http://1.bp.blogspot.com/_vXaHMnpI-GY/S5p2cnZ6JTI/AAAAAAAAAPo/sX4AOpavB9w/s200/map.jpg&quot; width=200 height=150&gt;&lt;/A&gt;&lt;/P&gt; 
&lt;P&gt;&lt;BR&gt;The collection is not limited to letters, there are a couple of promotional, publicity cards from stars of the day (one of those being &lt;A href=&quot;http://en.wikipedia.org/wiki/William_Powell&quot;&gt;&lt;FONT color=#0066cc&gt;William Powell&lt;/FONT&gt;&lt;/A&gt;).&lt;/P&gt; 
&lt;P style=&quot;MARGIN-BOTTOM: 0in&quot; align=center&gt;&lt;A name=BLOGGER_PHOTO_ID_5447792384577649746&gt;&lt;/A&gt;&lt;A name=BLOGGER_PHOTO_ID_5447790839484407474&gt;&lt;/A&gt;&lt;A href=&quot;http://4.bp.blogspot.com/_vXaHMnpI-GY/S5pyT2TUPFI/AAAAAAAAAPg/_qryIafGJgI/s1600-h/william++powell.jpg&quot;&gt;&lt;IMG class=yui-img border=0 name=graphics11 align=bottom src=&quot;http://4.bp.blogspot.com/_vXaHMnpI-GY/S5pyT2TUPFI/AAAAAAAAAPg/_qryIafGJgI/s200/william++powell.jpg&quot; width=161 height=200&gt;&lt;/A&gt;&lt;A href=&quot;http://4.bp.blogspot.com/_vXaHMnpI-GY/S5pw56YYXrI/AAAAAAAAAPQ/56j-XCC_pz4/s1600-h/jean++arthur.jpg&quot;&gt;&lt;IMG class=yui-img border=0 name=graphics12 align=bottom src=&quot;http://4.bp.blogspot.com/_vXaHMnpI-GY/S5pw56YYXrI/AAAAAAAAAPQ/56j-XCC_pz4/s200/jean++arthur.jpg&quot; width=161 height=200&gt;&lt;/A&gt;&lt;/P&gt; 
&lt;P&gt;It also includes promotional matter related to publicity for movies that he launched in New Zealand such as “&lt;A href=&quot;http://en.wikipedia.org/wiki/The_Vagabond_King_%281930_film%29&quot;&gt;&lt;I&gt;&lt;FONT color=#0066cc&gt;The Vagabond King&lt;/FONT&gt;&lt;/I&gt;&lt;/A&gt;”, &quot;&lt;A href=&quot;http://en.wikipedia.org/wiki/File:Canary_murder_case.jpg&quot;&gt;&lt;I&gt;&lt;FONT color=#0066cc&gt;The Canary Murder Case&lt;/FONT&gt;&lt;/I&gt;&lt;/A&gt;&quot;, and &quot;&lt;I&gt;Maid to Order&lt;/I&gt;&quot; (starring &lt;A href=&quot;http://www.imdb.com/name/nm0255774/bio&quot;&gt;&lt;FONT color=#0066cc&gt;Julian Etlinge&lt;/FONT&gt;&lt;/A&gt;).&lt;/P&gt; 
&lt;P style=&quot;MARGIN-BOTTOM: 0in&quot; align=center&gt;&lt;A href=&quot;http://3.bp.blogspot.com/_vXaHMnpI-GY/S5pBi1aPJAI/AAAAAAAAAOY/vYcdpmjaCnM/s1600-h/Photograph++of++a++promotional++display++adveriting++Jeanette+Macdonald++in++the++vagabond++king.jpg&quot;&gt;&lt;IMG class=yui-img border=0 name=graphics13 align=bottom src=&quot;http://3.bp.blogspot.com/_vXaHMnpI-GY/S5pBi1aPJAI/AAAAAAAAAOY/vYcdpmjaCnM/s200/Photograph++of++a++promotional++display++adveriting++Jeanette+Macdonald++in++the++vagabond++king.jpg&quot; width=200 height=184&gt;&lt;/A&gt;&lt;/P&gt; 
&lt;P style=&quot;TEXT-ALIGN: left&quot;&gt;My ghast was flabbered to learn (from the letterheads) that a publicity manager was once known as an &quot;&lt;SPAN style=&quot;FONT-STYLE: normal&quot;&gt;Exploitation Manager&lt;/SPAN&gt;&quot;. It appears that Harry took his job as an &quot;exploitation manager” quite seriously. There is a newspaper article, “Stunting &lt;I&gt;The Vagabond King&lt;/I&gt;”, which details Harry Curry staging &lt;/P&gt; 
&lt;P style=&quot;MARGIN-BOTTOM: 0in&quot; align=left&gt;“&lt;SPAN style=&quot;FONT-STYLE: normal&quot;&gt;a unique exploitation stunt.....that not only sent the picture merrily on its way to box-office records, but nearly sent Harry on his way to the place where exploitation men go when they die. It appears that Harry took to the air, heavily laden with handbills announcing the opening of the production......which he intended to drop on the seething masses below. All went well for some time, and the Paramounteer flung out hand-bills with great gusto. Then tragedy! A batch of 'bills caught in the aeroplanes rudder, making control of the machine impossible. As a fitting climax, Harry and the plane made a forced landing in the mud at St. Helier's Bay, none the worse for having introduced the first aerial exploitation stunt in that neck of the woods&lt;/SPAN&gt;”. &lt;BR&gt;I did mention that I have been enjoying reading the material, did I not ?&lt;/P&gt; 
&lt;P style=&quot;MARGIN-BOTTOM: 0in&quot; align=left&gt;Not only did I learn of &quot;exploitation managers&quot;, from these letters and letterheads, but I also learned a wee bit about film industry history. Some of the letterheads are from the &quot;&lt;A href=&quot;http://en.wikipedia.org/wiki/Famous_Players-Lasky&quot;&gt;&lt;I&gt;&lt;FONT color=#800080&gt;Famous Lasky Film Service&lt;/FONT&gt;&lt;/I&gt;&lt;/A&gt;&quot; which was an earlier incarnation of &quot;&lt;A href=&quot;http://en.wikipedia.org/wiki/Paramount_Pictures&quot;&gt;&lt;I&gt;&lt;FONT color=#800080&gt;Paramount Pictures&lt;/FONT&gt;&lt;/I&gt;&lt;/A&gt;&quot;. &lt;A href=&quot;http://4.bp.blogspot.com/_vXaHMnpI-GY/S5pBjhTFW5I/AAAAAAAAAOg/vGUZHLKOACs/s1600-h/Paramount++Pictures++card.jpg&quot;&gt;&lt;IMG class=yui-img border=0 name=graphics21 align=bottom src=&quot;http://4.bp.blogspot.com/_vXaHMnpI-GY/S5pBjhTFW5I/AAAAAAAAAOg/vGUZHLKOACs/s200/Paramount++Pictures++card.jpg&quot; width=200 height=134&gt;&lt;/A&gt;&lt;BR&gt;&lt;BR&gt;All these little details of which I had been oblivious. The album also contains bits of British film history in the form of photographs of the UK. Warner Bros. annual conventions and signed invitation forms as well as signed menus from these events. There a few amusing photographs and published caricatures of one Max Milder, who was the head of the London subsidary of Warner Bros., cigar always in hand and in the case of the caricatures of him – nearly eclipsing his head in size. &lt;/P&gt; 
&lt;P style=&quot;MARGIN-BOTTOM: 0in&quot; align=center&gt;&lt;A href=&quot;http://1.bp.blogspot.com/_vXaHMnpI-GY/S5pw6SoTbrI/AAAAAAAAAPY/Rjjslxfo6k4/s1600-h/signed++menu++card++from++the++Foot++Parade.jpg&quot;&gt;&lt;IMG class=yui-img border=0 name=graphics8 align=bottom src=&quot;http://1.bp.blogspot.com/_vXaHMnpI-GY/S5pw6SoTbrI/AAAAAAAAAPY/Rjjslxfo6k4/s200/signed++menu++card++from++the++Foot++Parade.jpg&quot; width=150 height=200&gt;&lt;/A&gt; &lt;A href=&quot;http://1.bp.blogspot.com/_vXaHMnpI-GY/S5pw5LiEWEI/AAAAAAAAAPI/rFCrkbi3NGg/s1600-h/signed++menu++card.jpg&quot;&gt;&lt;IMG class=yui-img border=0 name=graphics9 align=bottom src=&quot;http://1.bp.blogspot.com/_vXaHMnpI-GY/S5pw5LiEWEI/AAAAAAAAAPI/rFCrkbi3NGg/s200/signed++menu++card.jpg&quot; width=141 height=200&gt;&lt;/A&gt;&lt;A href=&quot;http://4.bp.blogspot.com/_vXaHMnpI-GY/S5pw46D4s9I/AAAAAAAAAPA/z8wi0lYSVu4/s1600-h/cigar.jpg&quot;&gt;&lt;IMG class=yui-img border=0 name=graphics10 align=bottom src=&quot;http://4.bp.blogspot.com/_vXaHMnpI-GY/S5pw46D4s9I/AAAAAAAAAPA/z8wi0lYSVu4/s200/cigar.jpg&quot; width=200 height=150&gt;&lt;/A&gt;&lt;/P&gt; 
&lt;P style=&quot;MARGIN-BOTTOM: 0in&quot; align=left&gt;Mr. Curry clearly had a sense of humour. Whilst aboard the &quot;Orca&quot;, he founded this club :&lt;/P&gt; 
&lt;P align=center&gt;&lt;A href=&quot;http://1.bp.blogspot.com/_vXaHMnpI-GY/S5pw4RHXdGI/AAAAAAAAAO4/TkM8rS5KTf4/s1600-h/kocktail.jpg&quot;&gt;&lt;IMG class=yui-img border=0 name=graphics19 align=bottom src=&quot;http://1.bp.blogspot.com/_vXaHMnpI-GY/S5pw4RHXdGI/AAAAAAAAAO4/TkM8rS5KTf4/s200/kocktail.jpg&quot; width=91 height=129&gt;&lt;/A&gt;&lt;/P&gt; 
&lt;P align=left&gt;“Ye Jolly Olde Kocktail Klubbe – ye J. O.K.K. Loveth a good Drinker”, the membership card being “not returnable” and admittance being “one bottle as required” and their funds being 'We áint got much money but we sure see life&quot;. Under the the rules and regulations we see that the number of drinks per meeeting is described as &quot;as many as you can freeze on to” and “Hoboes not on time to be ostracised. Charming ladies allowed sixty minutes latitude only – this on account of their well known proclivity” &lt;BR&gt;&lt;BR&gt;The album also contains a humourous caricature of Mr. Curry captioned &quot;The Social Lion&quot; which appeared in the &lt;I&gt;Paramount Punch, &lt;/I&gt;&lt;SPAN style=&quot;FONT-STYLE: normal&quot;&gt;which appears to have been a journal for the trade&lt;/SPAN&gt;&lt;I&gt;. &lt;A href=&quot;http://1.bp.blogspot.com/_vXaHMnpI-GY/S5pqrvUawRI/AAAAAAAAAOw/4lgq6V1HVnI/s1600-h/caricature.jpg&quot;&gt;&lt;IMG class=yui-img border=0 name=graphics1 align=bottom src=&quot;http://1.bp.blogspot.com/_vXaHMnpI-GY/S5pqrvUawRI/AAAAAAAAAOw/4lgq6V1HVnI/s200/caricature.jpg&quot; width=95 height=189&gt;&lt;/A&gt;&lt;/I&gt;&lt;/P&gt; 
&lt;P style=&quot;TEXT-ALIGN: left&quot;&gt;For someone who is an &quot;anti-clutter bug&quot;, this was quite an extraordinary object. I am amazed that someone can retain all these pieces, when&amp;nbsp; I&amp;nbsp; find&amp;nbsp; myself&amp;nbsp; in&amp;nbsp; a&amp;nbsp; world&amp;nbsp; where&amp;nbsp; architects&amp;nbsp; appear&amp;nbsp; to&amp;nbsp; be&amp;nbsp; competing &amp;nbsp;to&amp;nbsp; build&amp;nbsp; places&amp;nbsp; of&amp;nbsp; captivity&amp;nbsp; rather&amp;nbsp; than&amp;nbsp; homes, so&amp;nbsp; small&amp;nbsp; are&amp;nbsp; they&amp;nbsp; in&amp;nbsp; size. Letters of appointment and congratulations I can understand as with the movie paraphernia, but the airline tickets, radiograms and telegrams, leave me bewildered, and yet this album captivated me from the start. I read it from cover to cover. It documents an interesting career of an interesting man in an interesting industry, but it doesn't stop there. Although we don't get the personal bumph of christmas letters and birhtday cards, we do get just enough of a view into the mans' life to make the collection interesting and we must remember that this also served as a family document, this was someones father, grandfather, uncle etc. I found&amp;nbsp;the&amp;nbsp; album &amp;nbsp;to be more interesting in many ways than the average collection of ephemera as it is not sterile, but rather somehow alive with someones personality of past.&lt;BR&gt;&lt;BR&gt;For those of you whose interest has been piqued with regards to the world of ephemera, go and have a look at &lt;A href=&quot;http://ephemera.ning.com/&quot;&gt;&lt;FONT&gt;The Ephemera Network&lt;/FONT&gt;&lt;/A&gt;&amp;nbsp;. And&amp;nbsp; as&amp;nbsp; they&amp;nbsp; say&amp;nbsp; in&amp;nbsp; the&amp;nbsp; classics&amp;nbsp; &lt;A href=&quot;http://bit.ly/bLAWFh&quot;&gt;&quot;That's&amp;nbsp; All&amp;nbsp; Folks!&quot;&lt;BR&gt;&lt;/A&gt;&lt;/P&gt; 
&lt;P align=center&gt;&lt;A href=&quot;http://4.bp.blogspot.com/_vXaHMnpI-GY/S5pqrNPTjMI/AAAAAAAAAOo/lL2Dnca7Ojg/s1600-h/gungadin.jpg&quot;&gt;&lt;IMG class=yui-img border=0 name=graphics18 align=bottom src=&quot;http://4.bp.blogspot.com/_vXaHMnpI-GY/S5pqrNPTjMI/AAAAAAAAAOo/lL2Dnca7Ojg/s200/gungadin.jpg&quot; width=150 height=200&gt;&lt;/A&gt;&lt;/P&gt; 
&lt;P style=&quot;MARGIN-BOTTOM: 0in&quot;&gt;&lt;BR&gt;. &lt;/P&gt;</description>
            <pubDate>Thu, 18 Mar 2010 00:57:58 +0100</pubDate>
        </item>
        <item>
            <title>Zugzwang, by Ronan Bennett.</title>
            <link>http://www.tallstoriesbookshop.com/tall-in-the-land-of-stories/zugzwang-by-ronan-bennett-</link>
            <description>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;b style=&quot;color: rgb(3, 61, 33); font-size: 30px;&quot;&gt;&lt;span style=&quot;color: rgb(3, 61, 33); font-size: 30px;&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;Zugzwang, by Ronan Bennett.&lt;/span&gt;&lt;/b&gt;&lt;br&gt;&lt;/div&gt;
&lt;br&gt;
&lt;span style=&quot;color: rgb(67, 128, 89);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;&lt;b style=&quot;font-size: 15px;&quot;&gt;Zugzwang&lt;/b&gt;, n.:&lt;i&gt; an obscure move in an
even more obscure game commonly thought to have originated in Persia,
whereby ritual war is conducted between two parties, sometimes
resulting in the loss of bodily fluids, mainly sweat and tears instead
of the more usual blood.&lt;/i&gt;&lt;/span&gt;&lt;br style=&quot;font-family: yui-tmp;&quot;&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;&lt;img class=&quot;yui-img&quot; src=&quot;http://www.tallstoriesbookshop.com/resources/Zugzwang.jpg&quot;&gt;&lt;br style=&quot;font-family: yui-tmp;&quot;&gt;&lt;/div&gt;&lt;span style=&quot;color: rgb(67, 128, 89);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;
This is a novel that has all the
elements one would wish for in an intelligent thriller: chess, murder,
psychology and revolutionary politics, all set against the backdrop of
St. Petersburg, in the year 1914 A.C.E.&amp;nbsp;&lt;/span&gt;&lt;br style=&quot;font-family: yui-tmp;&quot;&gt;
 &lt;br style=&quot;font-family: yui-tmp;&quot;&gt;&lt;span style=&quot;color: rgb(67, 128, 89);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;
This last mentioned
may be the best part of the book. Bennett seems to have done his
research and his evocation of the time and the place is convincing and,
in parts, quite beautiful. &amp;nbsp;So too the atmosphere of the times, the
closed-in feeling of history holding its breath, the impending world-
altering historical events, all combined with the expectations of the
chess tournament taking place in the city, for the crowning of the
first Grand Master of chess.&lt;/span&gt;&lt;br style=&quot;font-family: yui-tmp;&quot;&gt;&lt;span style=&quot;color: rgb(67, 128, 89);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;
Chess may not be your cup of tea, and
the diagrams of the unfolding game between the main protagonist, Dr.
Otto Spethman and his violin virtuoso friend, Reuven Moiseyevich
Kopelzon, difficult to follow, but the intricacies of the game, the
hidden moves and the planning and diabolical cunning involved serve as
perfect metaphor for the revolutionary intrigue of the time and place.&lt;/span&gt;&lt;br style=&quot;font-family: yui-tmp;&quot;&gt;&lt;span style=&quot;color: rgb(67, 128, 89);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;
Add
to this some Freudian sexual repression, a murder or three, a dash of
poetry, some snow and vodka and a couple of quite surprisingly steamy
sex scenes (Ronan, you old devil you, who knew?) and you have a quite
intriguing book. &lt;/span&gt;&lt;br style=&quot;font-family: yui-tmp;&quot;&gt;&lt;span style=&quot;color: rgb(67, 128, 89);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;
&amp;nbsp;&lt;/span&gt;&lt;br style=&quot;font-family: yui-tmp;&quot;&gt;&lt;span style=&quot;color: rgb(67, 128, 89);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;
Ronan Bennett has written several screenplays, the most recent of which is Public Enemies, starring Johnny Depp.&lt;/span&gt;&lt;br style=&quot;font-family: yui-tmp;&quot;&gt;
&lt;br style=&quot;font-family: yui-tmp;&quot;&gt;&lt;span style=&quot;color: rgb(67, 128, 89);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;
And
for those of you who imagine novelists to be weedy, uninteresting
types, Bennett was incarcerated twice. Once at age 18 when he was
accused of taking part in an IRA bank robbery during which a policeman
was shot and killed. He was convicted and sent to Long Kesh prison, but
released less than a year later due to the flimsiness of the case
against him. In 1978 he was held in remand for 16 months, accused of
plotting to plant bombs in the UK. He conducted his own defence and was
acquitted.&lt;/span&gt;&lt;br style=&quot;font-family: yui-tmp;&quot;&gt;
 &lt;br style=&quot;font-family: yui-tmp;&quot;&gt;&lt;span style=&quot;color: rgb(67, 128, 89);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;
He also holds a Ph.D. in history from King’s College London. &lt;/span&gt;&lt;br style=&quot;font-family: yui-tmp;&quot;&gt;
&lt;br style=&quot;font-family: yui-tmp;&quot;&gt;&lt;span style=&quot;color: rgb(67, 128, 89);&quot; tag=&quot;span&quot; class=&quot;yui-tag-span yui-tag&quot;&gt;
Best
quote by Bennett: &quot;Writers should be distrustful of authority,&quot; he
says. &quot;I think writers should always be in a position of tension in
relation to governments and power and authority.&quot; NPR
&lt;/span&gt;</description>
            <pubDate>Tue, 27 Oct 2009 08:51:42 +0100</pubDate>
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